by Aaron Blabey ; illustrated by Aaron Blabey ‧ RELEASE DATE: April 30, 2019
Those who have enjoyed Pig’s other adventures in badness will likely love this one, and the obviously frequent mentions of...
Pig loves things that stink…including himself.
“Pig liked to get dirty. / He frankly was RANK. / His paws could be frightful. / His fur often stank.” Pig rolls in garbage and spoiled milk; he even plays with poo! He’s not offended by smells—not even by his wiener-dog buddy’s butt! Calls for bathtime make him run, and he’s very good at escaping, evading, and hiding. He sneaks away and jams a rubber-bone toy up the bathtub spigot. Then, being the nasty scamp that he is, he boogies with glee right in the tub, taunting his owner—until the plumbing explodes, bonking him in the nose with the faucet. From then on he doesn’t balk at bathtime…but that doesn’t change the fact that he often stinks to high heaven. Pig returns from his native Australia (where the book was titled Pig the Grub) to teach another lesson by setting a bad example. Blabey’s gleefully rancid creation scampers across the pages covered in (and liberally spreading) green and brown goo, and his pong is as visible as his owner’s face is not. With his bulging eyes and general nastiness, Pig is definitely an acquired taste; that this is his fifth outing is ample proof that many have done so.
Those who have enjoyed Pig’s other adventures in badness will likely love this one, and the obviously frequent mentions of things potty-related will recruit new fans. (Picture book. 3-7)Pub Date: April 30, 2019
ISBN: 978-1-338-33754-9
Page Count: 32
Publisher: Scholastic
Review Posted Online: Dec. 21, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by Aaron Blabey ; illustrated by Aaron Blabey
by Aaron Blabey ; illustrated by Aaron Blabey
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
Awards & Accolades
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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