Sharp characters and a striking depiction of friendship within a story that never quite coheres.
An often funny debut novel about three friends searching for love and themselves in a rapidly gentrifying Detroit.
Dominick, Troy, and Remy, three Black gay men in Detroit, are at a key turning point in their lives. After having caught his boyfriend in bed with another man and gotten fired from his job on the same day, Dominick Gibson packed up his car, left Manhattan, and, as the book opens, is driving back to his mom’s house in Detroit. Dominick is unsure what’s next for him, but he feels the clock ticking: “Here he was now, thirty-three years old and with eight years with his ex, Justin, having led absolutely nowhere. Time was running out. Though when you’re Black, gay, and thirtysomething, time always feels like it’s running out.” Dominick reconnects with Troy Clements, his best friend, who's a socially minded teacher at The Mahaffey School in a neighborhood primed for “redevelopment”—or, in other words, bulldozers. Like so many Detroit residents, Troy is unsure about his city’s future. As he tells Dominick, “My worry is that it won’t be a Black city anymore. That it’s not going to belong to us like it used to. White people have started moving here in droves. Every time you look up—Dan Gilbert! New restaurant! New this, new that! And my thing is, I’m looking at my kids at Mahaffey and their families, and I know they won’t be able to keep up when it hits.” The final member of the trio is Troy's friend Remy Patton, a real estate agent who goes by “Mr. Detroit.” When Remy takes on a project that threatens Troy’s school, all three men have to decide where their loyalties lies. Foley’s novel paints a vivid picture of Detroit gentrification pushing African American residents out in favor of high-priced condos, bougie restaurants, and new, White residents. The novel also excels at showing the ups and downs of the dating scene in Detroit. Dominick, Troy, and Remy experience steamy hookups, genuine connections, awkward encounters with closeted White men from the suburbs, and even an attempted rape. Foley has created original, striking characters; unfortunately, alternating among all three points of view sacrifices some of the plot’s momentum. Each man goes through dramatic ups and downs, but the larger story gets lost along the way.
Sharp characters and a striking depiction of friendship within a story that never quite coheres.Pub Date: May 31, 2022
ISBN: 978-1-953368-25-6
Page Count: 386
Publisher: Belt Publishing
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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