Misleadingly titled but broader in scope and less Eurocentric than standard surveys.
A world tour featuring select highlights of human culture, from 37,000-year-old rock paintings to modern murals and architecture.
Title notwithstanding, after a visit to the prehistoric petroglyphs at Nawarla Gabarnmung in northern Australia (and with a 19th-century stop at Haida Gwaii for a gander at Pacific Northwest Native woodcarving), Rosen focuses more on cities or large settlements and urban ways of life through the ages than on specific works or styles of art. His itinerary is determinedly “global,” though, covering every continent but Antarctica from 13th-century B.C.E. Thebes to art and architecture created for the 2016 Rio Olympics. Each stop along the way opens with an overview of the site and its distinctive character accompanied by a wide-angle picture painted by Dalzell and dotted with tiny clipped photos of statues or other figures. On the following spread further concise observations on customs and culture accompany three or four smaller (sometimes, alas, minuscule) photos of significant monuments, artifacts, or paintings with explanatory notes. Though the author hustles readers past the Rosetta Stone and Leonardo’s Vitruvian Man without benefit of visuals, a satiric Egyptian papyrus offers an eye-opening treat—and in more recent times he boosts the presence of women among his sparse tally of artists by, for instance, pairing works of Judith Leyster and Rembrandt, Mary Cassatt with Claude Monet.
Misleadingly titled but broader in scope and less Eurocentric than standard surveys. (glossary, index) (Nonfiction. 11-14)Pub Date: April 3, 2018
ISBN: 978-0-500-65101-8
Page Count: 144
Publisher: Thames & Hudson
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
Cold indeed is the heart not made warm by this bubbly fairy-tale romance. Raised by a kindly forest troll, Christian knows little of the world beyond what he can see through his telescope, but gazing upon a nearby castle, he falls head over heels for Princess Marigold. What chance has he, though, as a (supposed) commoner? When at last he nerves himself to send her a message via carrier pigeon, she answers and the courtship is on—via “p-mail” at first, then, after he lands a job as a castle servant, face to face. Setting numerous fairy-tale conventions just a bit askew, Ferris (Of Sound Mind, 2001, etc.) surrounds her two smart, immensely likable teenagers, who are obviously made for each other, with rival suitors, hyperactive dogs, surprising allies, and strong adversaries. The most notable among the last is devious, domineering Queen Olympia, intent on forcing Marigold into marriage with a penniless, but noble, cipher. The author gets her commonsensical couple to “I Do” through brisk palace intrigue, life-threatening situations, riotous feasting, and general chaos; Queen Olympia gets suitable comeuppance, and the festivities are capped by the required revelation that Christian is actually heir to the throne of neighboring Zandelphia. Fans of Gail Carson Levine’s Princess Tales will be in familiar territory here, as well as seventh heaven. (Fiction. 11-13)
Pub Date: Oct. 1, 2002
ISBN: 0-15-216791-9
Page Count: 272
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
Starting with an overview of how researchers look at humor, this uneven guide to a topic with potentially high kid-appeal...
A light introduction to the appealing, complicated subject of humor lacks the depth to do it justice.
Starting with an overview of how researchers look at humor, this uneven guide to a topic with potentially high kid-appeal meanders through loosely connected aspects of humor, offering anecdotes, quotes from experts and intriguing facts. Short chapters touch on the anatomy of laughter and the history of laugh tracks. A longer chapter discusses how humor differs between genders, among cultures and age groups and throughout history. Readers may be most interested in the final chapter on stand-up comedy and how to be funny. Jackson relies heavily on quotes from interviews with humor experts, working their names and titles awkwardly into the text. The academic nature of the quotes, suitable to a more substantial study of humor, jars with the author’s otherwise conversational, entry-level approach to the subject, raising questions about the intended audience. Generic cartoonish pictures and occasional jokes in boldface type illustrate points made in the text. Short sidebars explore topics such as the funny bone, tickling and texting abbreviations about humor.Pub Date: June 9, 2011
ISBN: 978-0-670-01244-2
Page Count: 64
Publisher: Viking
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
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