A well-told mystery that involves Midwesterners forced to grapple with their town’s past.
This 10th installment of a series focuses on a sheriff with a new case rooted deep in a Michigan county’s history.
When the remote farmhouse that once belonged to his dead predecessor, Orville Hentzler, goes up in flames—its basement stockpile of guns and ammunition providing an explosive finale—Cedar County Sheriff Ray Elkins is tasked with discovering why. He knows that it’s arson, probably just some bored teenagers or a closet pyromaniac. Then Hentzler’s grave is vandalized. “When he was alive, people either loved him or they hated him,” remembers the cemetery’s groundskeeper. “He and his boys, you know, his deputies, they liked to crack heads....But he’s been gone awhile.” Could these incidents have anything to do with a hippie commune that Hentzler ran out of town back in the 1960s, the buildings of which were also subsequently and mysteriously burned down? Two duck hunters later report a cackling gunman shooting at their decoys with an automatic weapon. Soon after, a toddler is discovered abandoned in a snowy ditch, and the child’s mother is found dead, lying in her own house. These incidents—their variety and strangeness—demand some creative investigation from Ray and his partner, DS Sue Lawrence. All clues seem to suggest that these crimes are connected to the events of 40 years ago, but most of the people involved are long gone. What happens if a killer comes to town hoping to target Hentzler only to learn that he’s dead? Who will the killer go after then? Stander’s (Gales of November, 2016, etc.) prose is controlled and sparse, evoking both Ray’s deliberative personality and the midwinter Michigan landscape: “He lifted his head and watched as the truck quickly disappeared into the swirling snow. Then he looked around. The mangled remains of a snowmobile were mired in mud just below him in the ditch.” While certain aspects of the plot are a tad predictable, others are wonderfully unexpected, and the author’s practiced pacing should keep readers engaged throughout. Fans of the series should be pleased with this engrossing episode.
A well-told mystery that involves Midwesterners forced to grapple with their town’s past.Pub Date: Oct. 15, 2018
ISBN: 978-0-9975701-3-7
Page Count: 250
Publisher: Writers & Editors, LLC
Review Posted Online: Feb. 11, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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