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THE CENTER CANNOT HOLD

From the Ray Elkins Thrillers series , Vol. 10

A well-told mystery that involves Midwesterners forced to grapple with their town’s past.

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This 10th installment of a series focuses on a sheriff with a new case rooted deep in a Michigan county’s history.

When the remote farmhouse that once belonged to his dead predecessor, Orville Hentzler, goes up in flames—its basement stockpile of guns and ammunition providing an explosive finale—Cedar County Sheriff Ray Elkins is tasked with discovering why. He knows that it’s arson, probably just some bored teenagers or a closet pyromaniac. Then Hentzler’s grave is vandalized. “When he was alive, people either loved him or they hated him,” remembers the cemetery’s groundskeeper. “He and his boys, you know, his deputies, they liked to crack heads....But he’s been gone awhile.” Could these incidents have anything to do with a hippie commune that Hentzler ran out of town back in the 1960s, the buildings of which were also subsequently and mysteriously burned down? Two duck hunters later report a cackling gunman shooting at their decoys with an automatic weapon. Soon after, a toddler is discovered abandoned in a snowy ditch, and the child’s mother is found dead, lying in her own house. These incidents—their variety and strangeness—demand some creative investigation from Ray and his partner, DS Sue Lawrence. All clues seem to suggest that these crimes are connected to the events of 40 years ago, but most of the people involved are long gone. What happens if a killer comes to town hoping to target Hentzler only to learn that he’s dead? Who will the killer go after then? Stander’s (Gales of November, 2016, etc.) prose is controlled and sparse, evoking both Ray’s deliberative personality and the midwinter Michigan landscape: “He lifted his head and watched as the truck quickly disappeared into the swirling snow. Then he looked around. The mangled remains of a snowmobile were mired in mud just below him in the ditch.” While certain aspects of the plot are a tad predictable, others are wonderfully unexpected, and the author’s practiced pacing should keep readers engaged throughout. Fans of the series should be pleased with this engrossing episode.

A well-told mystery that involves Midwesterners forced to grapple with their town’s past.

Pub Date: Oct. 15, 2018

ISBN: 978-0-9975701-3-7

Page Count: 250

Publisher: Writers & Editors, LLC

Review Posted Online: Feb. 11, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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