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LIFELINE

A well-pitched, beautifully written book, dark in content but not in feel.

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A teenager battles drug addiction in Nash’s debut novel.

Eighteen-year-old Eli is at a high point in his life. He’s captain of the lacrosse team, the most popular kid in his school, and has a picture-perfect girlfriend by his side. Yet, even as the first game of the season moves toward triumph, all is not well: the thrill never lasts; the high is not real. Eli lives with his mom, stepdad, and half brother, but he’s long been unhappy at home, and he’s been turning to heroin as a way to cope. An overdose lands him in rehab—and then the real story begins. Over 28 days, Eli must confront his addiction and come to terms with the loss of his father. Although he’s unwilling, at first, to acknowledge that he even has a problem, he slowly, through interactions with an ex–drug-dealer counselor and the other patients at the clinic, begins to open up. He starts looking for the truth in his life, and as he finds himself strangely drawn to a girl who self-harms, he wonders if there might just be some sort of light at the end of the tunnel. The danger with a story such as Eli’s is that it can be overly grim or preachy. Nash avoids this and instead strikes just the right balance between realism and relatability. The plot is straightforward but not generic, and the characters are distinct without being clichéd or over-the-top. The dialogue never feels artificial, and Eli’s narration, written in the present-tense first-person, makes him a protagonist that teens will identify with. His take on life seems very much his own (not the author’s or the readers’ parents’), and events at the clinic play out with a momentum that reflects his increasing engagement with rehabilitation. Nash, in short, has pulled off a remarkable feat, taking a topic of great relevance and—without a hint of censure or denunciation—making it integral to a tale whose only demand is that it be read in one sitting.

A well-pitched, beautifully written book, dark in content but not in feel.

Pub Date: April 7, 2018

ISBN: 978-1-946501-06-6

Page Count: -

Publisher: Tiny Fox Press

Review Posted Online: Oct. 13, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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