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LIFELINE

A well-pitched, beautifully written book, dark in content but not in feel.

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A teenager battles drug addiction in Nash’s debut novel.

Eighteen-year-old Eli is at a high point in his life. He’s captain of the lacrosse team, the most popular kid in his school, and has a picture-perfect girlfriend by his side. Yet, even as the first game of the season moves toward triumph, all is not well: the thrill never lasts; the high is not real. Eli lives with his mom, stepdad, and half brother, but he’s long been unhappy at home, and he’s been turning to heroin as a way to cope. An overdose lands him in rehab—and then the real story begins. Over 28 days, Eli must confront his addiction and come to terms with the loss of his father. Although he’s unwilling, at first, to acknowledge that he even has a problem, he slowly, through interactions with an ex–drug-dealer counselor and the other patients at the clinic, begins to open up. He starts looking for the truth in his life, and as he finds himself strangely drawn to a girl who self-harms, he wonders if there might just be some sort of light at the end of the tunnel. The danger with a story such as Eli’s is that it can be overly grim or preachy. Nash avoids this and instead strikes just the right balance between realism and relatability. The plot is straightforward but not generic, and the characters are distinct without being clichéd or over-the-top. The dialogue never feels artificial, and Eli’s narration, written in the present-tense first-person, makes him a protagonist that teens will identify with. His take on life seems very much his own (not the author’s or the readers’ parents’), and events at the clinic play out with a momentum that reflects his increasing engagement with rehabilitation. Nash, in short, has pulled off a remarkable feat, taking a topic of great relevance and—without a hint of censure or denunciation—making it integral to a tale whose only demand is that it be read in one sitting.

A well-pitched, beautifully written book, dark in content but not in feel.

Pub Date: April 7, 2018

ISBN: 978-1-946501-06-6

Page Count: -

Publisher: Tiny Fox Press

Review Posted Online: Oct. 13, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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