A perfect blend of smart, heart-wrenching, and fun.
Two years after the tragic death of her fiance, an artist begins to heal thanks to a rock star and his dog.
Sloan Monroe is on her way to the grave of her late fiance, who was killed by a drunk driver, when she nearly hits a dog who dashed into the road. When she stops to check on him, he jumps into her car through the sunroof, and when she doesn't hear from his owner after calling the number on his collar, she decides to keep him. Jason Larsen, the dog's owner, is backpacking off the grid in Australia, and when he finally gets Sloan's voicemails nearly two weeks later, he calls her and is astonished to discover that she's had Tucker, his dog, for so long; his quasi-girlfriend was supposed to be watching Tucker but it turns out she had basically abandoned him. Since he’s still in Australia for a few weeks, Jason arranges for Sloan to keep Tucker, and through it all they text and talk and plant the seeds for a friendship, if not more. Sloan is slow and wary, even before she discovers that Jason is a musician on the cusp of star status. Still, she’s charmed by his patience and talent, and when he returns to LA, she quickly falls in love with him, his dog, and his family. Just as they’re admitting to deep feelings, he’s embarking on a long musical tour and wants her with him. It’s a grind, which she isn’t expecting, and the relationship is at odds with his label’s publicity plans, which are complicated. Plus, it keeps Sloan from pursuing her art, which she wants to explore again. Following her exceptional debut (The Friend Zone, 2019), author Jimenez has written Sloan’s story with elegant, compassionate success, showcasing a romance that navigates deep grief and healing while exploring the unexpected stressors placed on a celebrity relationship. Fans of The Friend Zone will be happy to see Kristen and Josh as Sloan’s main support system and will be touched by Jimenez’s note in the acknowledgements about her inspiration for the book.
A perfect blend of smart, heart-wrenching, and fun.Pub Date: April 14, 2020
ISBN: 978-1-5387-1564-2
Page Count: 400
Publisher: Forever
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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