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SECRETS, LIES, & CRAWFISH PIES

Vandiver’s debut, which launches a character-driven series, has plenty of local color and interesting tidbits on Creole...

A small-town girl returning to her roots becomes a reluctant sleuth.

Romaine Wilder, who’s lost her job as a Chicago medical examiner and ended her affair with a married man, returns to East Texas to live with the aunt who raised her. Auntie Zanne is French Creole; the owner of a successful funeral home, she’s a small-town busybody whose plans for Romie don’t include a return to Chicago. They return to her childhood home at the funeral parlor to find Zanne’s dearest friend, Josephine Gail Cox, extremely upset and almost nonresponsive, standing in the pouring rain as Romie’s cousin, Sheriff Pogue Folsom, arrives to investigate a possible murder. Josephine may be depressed, but she knows which dead bodies belong in funeral homes and which ones don’t, and the one she found in the basement, cause of death unknown, ready to be cremated does not belong. With Pogue, who suspects Josephine of the killing, set to leave for training and the local medical examiner sick, Romie and Zanne take over the investigation. While she tries to keep Zanne’s worst impulses in check, Romie gets reacquainted with old friends and meets some new ones. She’s pressed into helping Zanne with a local festival and making crawfish pies for the band Zanne’s sponsoring. The identification of the dead man by his fingerprints gives the odd couple a sharper focus in their quest for clues. Uncovering the secrets everyone wants to remain hidden is just what Romie and Zanne need to do to solve the crime.

Vandiver’s debut, which launches a character-driven series, has plenty of local color and interesting tidbits on Creole history though not much of a mystery.

Pub Date: June 12, 2018

ISBN: 978-1-63511-349-5

Page Count: 260

Publisher: Henery Press

Review Posted Online: May 14, 2018

Kirkus Reviews Issue: June 1, 2018

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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