An entertaining romance for sword-and-sorcery fans.
A shape-shifting lord and a princess with snakelike powers battle a witch’s curse—and a potentially fatal attraction—in this debut fairy-tale romance.
Princess Scarlett of Velez and her sisters, Ruby and Rose, feel dispossessed because their younger half brother, Prince Lowell, will inherit the crown and gets all the attention of their father, King Rickard. The bigger problem, though, is their stepmother, Queen Cynara, a wicked sorceress who frames Scarlett for Rickard’s murder-by-cobra-bite. Sentenced to die poetically by another cobra bite, Scarlett survives and gets vaguely serpentine powers from the venom now flowing through her veins; Cynara then banishes her to Drum Manor, home of Lord Nicolai Graydon. Scarlett finds a gloomy, cobwebbed estate presided over by the preternaturally handsome and menacing Nicolai, who has his own history with Cynara: Sixteen years earlier Nicolai dumped her to marry an heiress, and she retaliated by annihilating the heiress with energy bolts and imposing a curse that causes Nicolai to turn into a black panther and tear out the throat of any woman who arouses him. Scarlett and Nicolai circle warily, each posing a sexily lethal threat to the other. Nicolai is indeed aroused by Scarlett, especially when he spies on her while she is undressing in her bedchamber; yet if he succumbs to his panther side and goes for her throat, her venomous blood will poison him. But Nicolai’s butler says that Scarlett may be able to lift Nicolai’s curse if she can cage him and teach him the meaning of true love. Lane’s yarn, the first in her Reign of Blood and Magic series, sometimes bogs down in ruminative longueurs as characters brood on their predicaments, but it features rousing magical action set pieces and sorcery that’s engrossing and creepy. (Rickard, it turns out, isn’t dead but doomed to eternal consciousness in a paralyzed body, which Cynara props up as a statue while he experiences helpless pain and humiliation from the insults visited on his inert frame.) Lane’s prose is sometimes rough—“Bon appetite”—but intense and evocative: “Round and round [Scarlett] went on the stone stairs, each step downward taking her closer to her final punishment….all too quickly she would fall silent, buried by wet mud in her grave.” The result is an imaginative fantasy that reprises the themes of "Beauty and the Beast" with feisty characters and richly intriguing witchery.
An entertaining romance for sword-and-sorcery fans.Pub Date: N/A
ISBN: N/A
Page Count: 324
Publisher: Self
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: June 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.
When Vis is copied into two other realities, he must stop a god from repeatedly culling almost everyone back home.
Thousands of years ago, to prevent the Concurrence from enslaving everyone, the world was split into three near-identical copies: Res, Obiteum, and Luceum. To exist in all three worlds, to wield Will there, is to achieve synchronism. After the events in The Will of the Many (2023), which cost Vis his arm and the life of his friend, Vis achieves Synchronism. While Res-Vis must continue to play Hierarchy politics to find his friend’s killer, Obiteum-Vis finds a ruined world, where the dead are reanimated and used by Ka, the Concurrence, and the only other person to exist in synchronism. Meanwhile, Luceum-Vis is forced into a dispute between druids, their High Council, and their kings—with one king intent on killing him—and Vis has no idea why. On all worlds, Vis is as shrewd as ever, weighing his options, planning ahead, and doing what he must to survive. However, he, too, slowly diverges, doing things he swore he never would: cede his Will, use Will to control someone else, and reveal his true name. If at least one Vis cannot use his synchronism and power of Will to kill the Concurrence, no Vis will be safe, and another Cataclysm will cull those he loves on Res. Book Two of the Hierarchy series is a speculative fantasy that is at once Egyptian post-apocalyptic, Celtic medieval, and Roman dystopian, thanks to the multidimensional setting. Although the sprawling narrative at times overextends itself, Islington rewards patient readers with a compelling story, a cast of complex and diverse characters, and a glimpse into how far a good man can go before he’s lost. A symbol at the start of each chapter delineates which world and Vis it’s about. Readers should read The Will of the Many before attempting this volume, or they may be confused for the first several chapters and beyond.
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.Pub Date: Nov. 11, 2025
ISBN: 9781982141233
Page Count: 736
Publisher: Saga/Simon & Schuster
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Weird and haunting and excellent.
The much-anticipated second novel from the author of Jonathan Strange and Mr. Norrell (2004).
The narrator of this novel answers to the name “Piranesi” even though he suspects that it's not his name. This name was chosen for him by the Other, the only living person Piranesi has encountered during his extensive explorations of the House. Readers who recognize Piranesi as the name of an Italian artist known for his etchings of Roman ruins and imaginary prisons might recognize this as a cruel joke that the Other enjoys at the expense of the novel’s protagonist. It is that, but the name is also a helpful clue for readers trying to situate themselves in the world Clarke has created. The character known as Piranesi lives within a Classical structure of endless, inescapable halls occasionally inundated by the sea. These halls are inhabited by statues that seem to be allegories—a woman carrying a beehive; a dog-fox teaching two squirrels and two satyrs; two children laughing, one of them carrying a flute—but the meaning of these images is opaque. Piranesi is happy to let the statues simply be. With her second novel, Clarke invokes tropes that have fueled a century of surrealist and fantasy fiction as well as movies, television series, and even video games. At the foundation of this story is an idea at least as old as Chaucer: Our world was once filled with magic, but the magic has drained away. Clarke imagines where all that magic goes when it leaves our world and what it would be like to be trapped in that place. Piranesi is a naif, and there’s much that readers understand before he does. But readers who accompany him as he learns to understand himself will see magic returning to our world.
Weird and haunting and excellent.Pub Date: Sept. 15, 2020
ISBN: 978-1-63557-563-7
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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