An exploration of loss spanning two centuries from the author of Lake People (2013).

Jane is 12 when her older sister, Henrietta, disappears from their New England town. This is sometime around the turn of the millennium and 20 years before Jane begins her tale. In the 1850s, Claire is still living at home with her parents when her older sister, Elspeth, stops sending letters from America. What unites these two narratives—aside from the coincidences—is a building in the woods. In Elspeth’s time, it’s the house her husband built for her and their children. In Jane’s time, it’s a ruin and the setting of fables her father tells his two girls. This is an ungainly book, more like two unfinished novels loosely stitched together than a coherent, multifaceted whole. Jane narrates her own story, but she never emerges as a real person. That she remains a shadow of her older sister makes psychological sense, but it makes for a boring character. And Henrietta herself is, in the sections narrated by Jane, little more than a sexually precocious loner and a bit of a jerk. It’s hard to see what makes her so fascinating that Jane doesn’t seem to have a life of her own even before Henrietta’s disappearance rips a hole in everything. And Henrietta remains inscrutable even when she’s describing her experiences in her own voice. More than that, the portion of the novel that covers Henrietta’s early days on her own is simply incredible. Readers are expected to believe that a 15-year-old girl with no form of identification is able to get two jobs and buy a car. The fact that one of these jobs is as the caretaker of an empty and isolated home is also fantastically convenient. This teen also pays for everything with crisp $100 bills that she clips from uncut sheets herself with scissors; this stolen fortune is another astonishingly lucky break for the runaway. The sections of the book set in the 19th century are slightly more compelling, but, even here, the text reads more like notes toward a novel than a finished work.

Odd and unsatisfying.

Pub Date: May 16, 2019

ISBN: 978-0-525-65528-2

Page Count: 288

Publisher: Knopf

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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There are unforgettable beauties in this very sexy story.


Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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