Although the plot reads like a soap opera, De Witt’s prose is nuanced and her characters are finely shaded.
A story about growing up with a distant father and an ineffectual mother in Austin, Texas, in the 1970s and '80s.
Molly Moore’s father is a Circuit Court judge, intellectually prepossessing but emotionally reserved. De Witt’s narrative begins with his death and then gives us flashbacks into Molly’s growing up, moving away and their eventual reconciliation. As a young girl Molly never quite fits in, in part because, like her father, she’s extremely smart—though not as brilliant as her best friend Becky Lopez. Molly and Becky manage to negotiate their adolescence in the usual painful ways, with crushes on boys, negative body images and unanswerable questions about their future. As a tween Molly becomes enamored with Keith Miller, but like many pubescent romances, this one fades—though she’s still hurt when Keith makes Becky pregnant their senior year of high school. Molly goes on to Harvard, while Becky decides to give birth to her baby, a daughter she names Kate. While at Harvard Molly sleeps around, anywhere from one-night stands to a more enduring, and heartbreaking, relationship with Joe Price, a charming liar who’s never been to college. In her sophomore year Molly gets pregnant, has an abortion, leaves Joe (by mutual consent) and drops out of Harvard, becoming—rather unconvincingly—a cleaning woman for Cambridge society women. This she does for 14 years, sleeping “with more men than [she] can remember,” until she discovers she’s once again pregnant. This time she decides to keep the child, whom she names Zim. Then, under a cloud of scandal, Molly discovers that her father had allegedly tried to help Becky’s daughter Kate, who’s become a street kid and part-time prostitute. When Kate is killed in a wreck while Judge Moore is driving, it becomes clear that his interest in her was more than paternal. Molly finally, and painfully, reconciles with her father, now dying of cancer.
Although the plot reads like a soap opera, De Witt’s prose is nuanced and her characters are finely shaded.Pub Date: Nov. 1, 2010
ISBN: 978-0-9826171-4-4
Page Count: 252
Publisher: Lorimer Press
Review Posted Online: Sept. 13, 2010
Kirkus Reviews Issue: Oct. 1, 2010
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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