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DAYS OF AWE

Sincere but lifeless.

An inert second novel from Cuban-born Chicago Tribune culture reporter Obejas (stories: We Came All the Way from Cuba So You Could Dress Like This?, 1994, etc.) strains to illuminate the history of her native land and its Jews before and after the Revolution.

Narrator Alejandra San José, whose family fled Cuba on the day of the Bay of Pigs, is part of the problem here. Humorless, self-absorbed, and long-winded—the defining moment of her father’s life is hinted at so often that the eventual revelations are neither surprising nor interesting—she turns what could be a sweeping tale of identity, exile, and loyalty into a turgid clash between faith and nationalism. Moving back and forth from the present to1897, when patriarch Itzak fought heroically in Cuba’s War of Independence against Spain, Alexandra describes her family’s struggle to practice Judaism and her own ambivalence about her faith and her homeland. Like many others, her ancestors converted to Christianity to avoid persecution, but never forgot their Jewish roots. After Itzak had Alejandra’s father Enrique circumcised, some of the family began openly acknowledging their faith, despite the increasing anti-Semitism of the 1920s and ’30s. Her parents now live in Chicago, where Enrique is an esteemed translator of literature, but she senses a mystery about him that transcends the sadness of exile. In 1987, Alejandra returns to Cuba as a translator for touring Americans, meets old relatives and family friends, and learns more about her past and her faith. On further visits her sense of Cuban and Jewish identity grows as she observes the changes in Cuba after the Berlin Wall falls and describes how her relatives adjust to power failures, wealthy tourists, and rationing. When Enrique dies, Alejandra takes his ashes back to Cuba—where she will finally learn his long-dark secret from a childhood friend.

Sincere but lifeless.

Pub Date: Aug. 1, 2001

ISBN: 0-345-43921-X

Page Count: 384

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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