Despite the title, González’s first book is less a scary story than a child’s-eye view of life in Puerto Rico and the importance of community. For the most part, Mayte loves to see the street vendors who pass by her house, but she draws the line at the ice cream man, the grumpy Don Aparicio, who is—she is sure—el Cuco, the bogeyman. When Mayte and her friend Pepito see Don Aparicio carrying a squirming bag over his shoulder, Mayte is certain the man has kidnapped a naughty child, either for eating or for selling in the market. But their attempt to rescue the “child” turns up nothing but two chickens, and Don Aparicio has a chance to reveal the kindness beneath the crankiness. Rodriguez’s illustrations are full-page color paintings, realistic, full of the details of life in the tropics, and perhaps a little old-fashioned. Suspenseful enough for read-alouds with younger audiences, Mayte’s tale is probably too tame for older students, who might prefer the real bogeyman in Joe Hayes’s El Cucuy (2003). Still, both Spanish and English texts flow smoothly, and even the suggestion of terror is sure to set younger hearts racing. (Picture book. 5-8)
Pub Date: March 31, 2006
ISBN: 1-55885-442-8
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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