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THE TABLE COMES FIRST

FAMILY, FRANCE, AND THE MEANING OF FOOD

A philosophical look at French food and how it has affected our eating habits and our lives.

New Yorker writer Gopnik’s latest book (Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life, 2009, etc.) is not for the fast-food junkie in search of a quick fix; the essays are delicious in small bites though slightly overwhelming in large quantities. Throughout, the author displays a masterful grasp of French cuisine and history. Starting with the origins of the restaurant in France as a byproduct of the French Revolution and meals served in inns as another form of seduction in the quest for sex, Gopnik moves on to reflect on the recipe, the meaning of taste and the ongoing argument for and against eating meat. Whether he is discussing haute cuisine, nouvelle cuisine or the newest techno-emotional cuisine, the author ponders the real meaning of food, beyond the need to satisfy a hunger—is it to provide comfort, is it a symbol of love or something more sacred? Local foods, French wines and a discussion of peasant foods versus traditional French cooking all blend together into a rich feast of sensory details. These essays will leave no doubt in readers’ minds that Gopnik is a true food aficionado with a desire to share his musings. To lighten the heaviness of his chapters, the author intersperses delightful, almost comic letters written to Elizabeth Pennell, a food critic and writer in the 19th century. Here he adopts a more informal tone and provides insights into his family life and the recipes he prepares for his children. Rich in context and philosophical thoughts, Gopnik’s book will satiate the most ardent of food-history buffs.

 

Pub Date: Nov. 4, 2011

ISBN: 978-0-307-59345-0

Page Count: 320

Publisher: Knopf

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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