Nicolson catches grief from the captain for his disengaged ease and lack of seamanship, but his focus is on the wild...

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SEAMANSHIP

A VOYAGE ALONG THE WILD COASTS OF THE BRITISH ISLES

Nicolson (God’s Secretaries, 2003, etc.), who has traveled extensively on British soil, takes to the Atlantic coast in this odyssey of island-hopping and psychic exploration.

Nicolson is in the grip of romance for hard, dangerous living, with something vital in its strangeness and seriousness, a life force of sweaty, physical engagement. His vehicle is a boat traveling the waters from southern England up the western edge of Ireland and Scotland, then to the Orkneys, with a final stop in the Faroes. It takes six months, the time between the vernal and autumnal equinoxes. Sailing such waters at any time is hard work, especially for those stretches that include only Nicolson and George, his skipper. There are buffeting episodes aplenty, not just when crafts are bullied by the rudeness of the sea—at one point, Nicolson is nearly drowned trying to run a dinghy to an island and getting clobbered by a pugilistic wave—but also when one or both of the men experience a feeling of utter, elemental foreignness that reaches in and plucks their souls like stringed instruments. Nicolson recounts such moments with unaffected wonder: the exultancy he feels at a hermit’s hut high on the Skelligs, a pair of “tall, crocketed rocks” rising 700 feet straight from the ocean, or during a barefoot pilgrimage up Croagh Patrick. There’s a blessing at a monastery, where the strong hand of tradition reduces the men (both nonbelievers) to tears in its display of sustaining love. Then there are the Faroes, which steal Nicolson’s heart, islands that suggest a “living survival of habits of mind,” with their dwellers’ heritage, confidence, and brio.

Nicolson catches grief from the captain for his disengaged ease and lack of seamanship, but his focus is on the wild margins, where land meets water and recalls so much ancient, human drama.

Pub Date: April 12, 2005

ISBN: 0-06-075342-0

Page Count: 192

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

BACK FROM THE DEAD

A basketball legend reflects on his life in the game and a life lived in the “nightmare of endlessly repetitive and constant pain, agony, and guilt.”

Walton (Nothing but Net, 1994, etc.) begins this memoir on the floor—literally: “I have been living on the floor for most of the last two and a half years, unable to move.” In 2008, he suffered a catastrophic spinal collapse. “My spine will no longer hold me,” he writes. Thirty-seven orthopedic injuries, stemming from the fact that he had malformed feet, led to an endless string of stress fractures. As he notes, Walton is “the most injured athlete in the history of sports.” Over the years, he had ground his lower extremities “down to dust.” Walton’s memoir is two interwoven stories. The first is about his lifelong love of basketball, the second, his lifelong battle with injuries and pain. He had his first operation when he was 14, for a knee hurt in a basketball game. As he chronicles his distinguished career in the game, from high school to college to the NBA, he punctuates that story with a parallel one that chronicles at each juncture the injuries he suffered and overcame until he could no longer play, eventually turning to a successful broadcasting career (which helped his stuttering problem). Thanks to successful experimental spinal fusion surgery, he’s now pain-free. And then there’s the music he loves, especially the Grateful Dead’s; it accompanies both stories like a soundtrack playing off in the distance. Walton tends to get long-winded at times, but that won’t be news to anyone who watches his broadcasts, and those who have been afflicted with lifelong injuries will find the book uplifting and inspirational. Basketball fans will relish Walton’s acumen and insights into the game as well as his stories about players, coaches (especially John Wooden), and games, all told in Walton’s fervent, witty style.

One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

Pub Date: March 8, 2016

ISBN: 978-1-4767-1686-2

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Dec. 19, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading...

CONCUSSION

A maddening, well-constructed tale of medical discovery and corporate coverup, set in morgues, laboratories, courtrooms, and football fields.

Nigeria-born Bennet Omalu is perhaps an unlikely hero, a medical doctor board-certified in four areas of pathology, “anatomic, clinical, forensic, and neuropathology,” and a well-rounded specialist in death. When his boss, celebrity examiner Cyril Wecht (“in the autopsy business, Wecht was a rock star”), got into trouble for various specimens of publicity-hound overreach, Omalu was there to offer patient, stoical support. The student did not surpass the teacher in flashiness, but Omalu was a rock star all his own in studying the brain to determine a cause of death. Laskas’ (Creative Writing/Univ. of Pittsburgh; Hidden America, 2012, etc.) main topic is the horrific injuries wrought to the brains and bodies of football players on the field. Omalu’s study of the unfortunate brain of Pittsburgh Steeler Mike Webster, who died in 2002 at 50 of a supposed heart attack, brought new attention to the trauma of concussion. Laskas trades in sportwriter-ese, all staccato delivery full of tough guyisms and sports clichés: “He had played for fifteen seasons, a warrior’s warrior; he played in more games—two hundred twenty—than any other player in Steelers history. Undersized, tough, a big, burly white guy—a Pittsburgh kind of guy—the heart of the best team in history.” A little of that goes a long way, but Laskas, a Pittsburgher who first wrote of Omalu and his studies in a story in GQ, does sturdy work in keeping up with a grim story that the NFL most definitely did not want to see aired—not in Omalu’s professional publications in medical journals, nor, reportedly, on the big screen in the Will Smith vehicle based on this book.

Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading it.

Pub Date: Nov. 24, 2015

ISBN: 978-0-8129-8757-7

Page Count: 288

Publisher: Random House

Review Posted Online: Sept. 15, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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