by Adam Skolnick ‧ RELEASE DATE: Jan. 12, 2016
A worthy addition to the growing body of literature on adventures that test the limits of nature and mankind.
A fatality spurs an inquiry into an extreme sport, illuminating the risks—as well as the rewards—of free diving.
After writing a couple dozen guidebooks for the Lonely Planet series, Skolnick shows sharp reportorial instincts in this multilayered narrative beginning with the 2013 tragedy of Nicholas Mevoli, “the first athlete to die in an international freediving competition.” The obscure sport tests the limits of its athletes, who dive as deep as 100 meters or more, holding their breath for some four minutes, risking blackouts from the pressure or worse. “Their feats dazzled because with each dive they were risking their lives,” the author writes of one such competition. “No one knew where that unknown limit was.” Interspersed with an examination of the sport of free diving—loosely organized, self-governed, with most of the athletes spending considerable sums without sponsorship—is the story of an athlete considered remarkable well before his death and who lived his life with an uncompromising purity—though he always attracted romantic attention, he committed to celibacy for as long as four years—and who made it his priority “to live, not merely exist.” Parallel tracks show Mevoli’s life as he pushed himself toward an early death that quite possibly could have been prevented and the development of the sport as it gained the perspective of mortality that his death underscored. “Nick’s was the first fatality in more than 35,000 dives,” writes Skolnick. “Afterward, they were forced to admit that nobody could say for sure how repeated depths impacted the body….This wasn’t a matter of conflicting science; research was almost nonexistent.” This is a page-turning book about how and why Mevoli died (with a suggestion that a doctor shouldn’t have cleared him to dive), but it’s also about the competitors drawn to the sport, the ones for whom “freediving is both an athletic quest to push the limits of the body and mind, and a spiritual experience.”
A worthy addition to the growing body of literature on adventures that test the limits of nature and mankind.Pub Date: Jan. 12, 2016
ISBN: 978-0-553-44748-4
Page Count: 320
Publisher: Crown Archetype
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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