An intense novella of ideas that looks into the heart of faith and generosity.
Strassberg presents a brief fantasy novella about discussions in a psychiatric hospital between two men who resemble Jesus Christ and Santa Claus.
In this short, somewhat whimsical tale, two very different men meet in a ward for patients with mental illness: a short Jewish man named Josh with a brown beard, and Nick,a big-bellied fellow with white whiskers. Josh was just committed by paramedics because he was found wandering in traffic after breaking up with his boyfriend; Nick is the former CEO of Myra Toys who used to travel frequently on business (“I basically lived my life out of a big red sack,” he says, in one of Strassberg’s many winks at the reader. “I must have carried that bag over my shoulder forever”). Both men find themselves in the ward during the Christmas season, and they initially find themselves in conflict as they fall into arguments about metaphysics in the common rooms. Josh is spiritual and empathetic, assuring Nick that “God doesn’t want our independence; he wants our interdependence.” Nick, guessing that Josh is an unhoused person, is sharply intolerant at first: “I know if you’ve been bad or good, and you’ve all been bad,” he rumbles. “My tax dollars go to pay for the land where you illegally squat in your tents.” In the slow, skillful development of the relationship between these two men, Strassberg plays on the initial gimmick of having Jesus and Santa analogues meet, and steadily broadens the story into a more ambitious meeting of the minds, drawing on elements of philosophy. Nick is predictably jolly, but Strassberg’s greatest creation is Josh, who prays only for “an ordinary mortal life” and is the source of most of this slim book’s most memorable passages: “Perfection is the enemy of the good, but for me, I’ve met perfection,” he complains at one point. “And perfection has met me and just won’t leave me alone.” Very little happens in the book other than these verbal encounters, but readers will be too interested to notice.
An intense novella of ideas that looks into the heart of faith and generosity.Pub Date: Dec. 1, 2024
ISBN: 9798337610870
Page Count: 95
Publisher: Nat 1 Publishing
Review Posted Online: Oct. 21, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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