by Adèle Geras & illustrated by M.P. Robertson ‧ RELEASE DATE: Oct. 15, 2007
Beneath a heavy cover studded with “rubies” and other “gems,” the diary of one of Cleopatra’s handmaids offers a look at Ptolemaic Egypt’s last years. Interspersed with comments about cats, the court and life in Alexandria, ten-year-old Nefret’s chatty record of Cleopatra’s successive intrigues with her husband/brother Ptolemy, Julius Caesar and later Marc Antony ends partway through. Then Geras switches to third person to trace Cleo’s later life and to cover a series of related topics, from Egyptian people and gods to the Roman army. Robertson’s paintings range from busy Alexandria street scenes to a view of Caesar’s bloody corpse, and are populated with natural-looking, sometimes humorous figures, including a glimpse of Nefret “walking like an Egyptian.” Capped by photos of the pyramids and Egyptian artifacts, this mix of fact and fancy isn’t exactly seamless, but it does introduce one of history’s heroines and brings her era to life in a reasonably accurate way. (glossary, index) (Historical fiction. 9-11)
Pub Date: Oct. 15, 2007
ISBN: 978-0-753-46025-2
Page Count: 64
Publisher: Kingfisher
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2007
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by Christy Mihaly ; illustrated by Marta Sevilla ‧ RELEASE DATE: May 26, 2026
Playful, provocative, and packed with perspective.
Did Christopher Columbus really “discover” a new world? Did the Pilgrims invite the Wampanoag to a friendly First Thanksgiving? Is July 4 truly the nation’s birthday?
Readers familiar with traditional narratives of America’s founding are invited to interrogate those myths in this interactive exploration of early U.S. history. A strong introductory framework asks whose stories endure and whose have been erased from the history books, emphasizing that Indigenous peoples remain part of the present, not just the past. Each spread presents a common misconception, then asks readers to flip assumptions aside by lifting a partial gatefold that reveals the true story beneath. Well-sourced explanations elevate figures and communities often excluded from history books, including women, Black Americans, and Indigenous peoples. Bold colors, graphic-heavy layouts, and energetic illustrations that make creative use of historical photos and images break complex ideas into bite-size pieces that encourage browsing over linear reading. A timeline, speech bubbles, and lift-the-flap “True or False” quizzes reinforce the book’s core message: History is layered, debatable, and dynamic. Though the book’s busy, nonlinear design may prove challenging for some, on the whole it works very well as an engaging historical overview. The content assumes a foundational knowledge of early U.S. history, making it most suitable for older elementary readers, though some visual choices skew younger. Backmatter includes more historical information and background on the book’s creation.
Playful, provocative, and packed with perspective. (glossary, resources, photo credits) (Nonfiction. 9-11)Pub Date: May 26, 2026
ISBN: 9798888599082
Page Count: 40
Publisher: Barefoot Books
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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by Faith Ringgold ‧ RELEASE DATE: Nov. 1, 1999
Ringgold’s biography of Rosa Parks packs substantial material into a few pages, but with a light touch, and with the ring of authenticity that gives her act of weary resistance all the respect it deserves. Narrating the book is the bus that Parks took that morning 45 years ago; it recounts the signal events in Parks’s life to a young girl who boarded it to go to school. A decent amount of the material will probably be new to children, for Parks is so intimately associated with the Montgomery Bus Boycott that her work with the NAACP before the bus incident is often overlooked, as is her later role as a community activist in Detroit with Congressman John Conyers. Ringgold, through the bus, also informs readers of Parks’s youth in rural Alabama, where Klansmen and nightriders struck fear into the lives of African-Americans. These experiences make her refusal to release her seat all the more courageous, for the consequences of resistance were not gentle. All the events are depicted in emotive naive artwork that underscores their truth; Ringgold delivers Parks’s story without hyperbole, but rather as a life lived with pride, conviction, and consequence. (Picture book/biography. 5-9)
Pub Date: Nov. 1, 1999
ISBN: 0-689-81892-0
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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by Gwendolyn Brooks & illustrated by Faith Ringgold
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