OVERNIGHT

A birthday slumber party becomes the undoing of a clique when one of the guests is abducted. Gray is a member of the Lucky Seven, a poisonous preteen clique presided over by Martha, who clearly (and viciously) enjoys the power accorded her by her popularity. Gray’s membership—indeed, everyone’s—depends on Martha’s whim. The slumber party has started off badly for Gray, though, as her mother, distracted by chemotherapy, has packed the wrong sleeping bag. When a confused woman appears at the birthday party, Gray is happy to convince herself that she is an aide sent to fetch her home and escapes the party—only to be taken on a terrifying ride to the woman’s house, from which she has no immediate means of escape. Meanwhile, at the party, Gray’s absence occasions a subtle but cataclysmic shift in the forces that hold the clique together; Martha is top dog no more. Shifting perspectives effectively capture the emotions and motivations of key members of the Lucky Seven, allowing the reader to examine the group’s dynamics. Griffin has a keen eye for the cruelty of the middle-schooler, but this fails where Amandine (2001) succeeded, due to its split narrative. When Gray leaves the party, the story splits into two pieces—Gray’s own bizarre adventure, and the power struggle within the clique—and Gray’s own development as an individual is not sufficiently paralleled by the development of the rest of the group to make the counterpoint between the two stories work. For a more effective dissection of the nature of cliques, try Amy Goldman Koss’s The Girls (2000). (Fiction. 10-12)

Pub Date: March 1, 2003

ISBN: 0-399-23782-8

Page Count: 160

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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A solid debut: fluent, funny and eminently sequel-worthy.

ALMOST SUPER

Inventively tweaking a popular premise, Jensen pits two Incredibles-style families with superpowers against each other—until a new challenge rises to unite them.

The Johnsons invariably spit at the mere mention of their hated rivals, the Baileys. Likewise, all Baileys habitually shake their fists when referring to the Johnsons. Having long looked forward to getting a superpower so that he too can battle his clan’s nemeses, Rafter Bailey is devastated when, instead of being able to fly or something else cool, he acquires the “power” to strike a match on soft polyester. But when hated classmate Juanita Johnson turns up newly endowed with a similarly bogus power and, against all family tradition, they compare notes, it becomes clear that something fishy is going on. Both families regard themselves as the heroes and their rivals as the villains. Someone has been inciting them to fight each other. Worse yet, that someone has apparently developed a device that turns real superpowers into silly ones. Teaching themselves on the fly how to get past their prejudice and work together, Rafter, his little brother, Benny, and Juanita follow a well-laid-out chain of clues and deductions to the climactic discovery of a third, genuinely nefarious family, the Joneses, and a fiendishly clever scheme to dispose of all the Baileys and Johnsons at once. Can they carry the day?

A solid debut: fluent, funny and eminently sequel-worthy. (Adventure. 10-12)

Pub Date: Jan. 21, 2014

ISBN: 978-0-06-220961-0

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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THE TIGER RISING

Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-7636-0911-0

Page Count: 128

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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