A touching novel about the power of female friendship, forgiveness, and honesty.
When a woman in need of a surrogate meets a happy-go-lucky socialite, she receives an offer she can’t refuse.
Nora Hammond has gotten used to her life. She works at the high-end Manhattan vintage boutique I’ll Have Seconds, spends lazy Sunday mornings with her husband, Jacob, and FaceTimes her best friend, Meg, to discuss the dream homes they find on Zillow. Nora is content with what she has, though she's gone through years of failed IVF treatments that left her with nothing but bills. Just when Nora and Jacob embrace the fact that they may never have a baby, their carefully curated acceptance ends on one fateful day—the day Evelyn Elliot strolls into I’ll Have Seconds. A “Kentucky Elle Woods,” Evelyn is lavish, stylish, and delightfully over-the-top, and she’s a breath of fresh air blown into Nora’s dreary life. Evelyn saunters around the boutique, dropping thousands on blouses, gowns, and the rare books Nora loves. Baffled by the sudden commission windfall, Nora can’t help but feel enamored with her new customer. Not only did Evelyn breezily provide I’ll Have Seconds with its largest sale in months, but she later sent Nora a special gift for her styling assistance: a one-of-a-kind Dior cloak designed for her mother’s favorite poet, currently worth upward of $15,000. Evelyn begins asking Nora to complete a few personal assistant–type favors, sprinkling in cash and extravagant gifts, until she unveils her biggest thank-you yet: She offers to be Nora and Jacob’s surrogate for their final embryo. Nora is hard-pressed to refuse Evelyn’s offer, but soon enough, Evelyn’s lackadaisical approach to pregnancy and the Hammonds’ financial burdens threaten to ruin the unlikely friendship. Griffin’s novel weaves a tale of hope in the advent of unexpected change. Nora and Evelyn couldn’t be more different, and yet they connect through their cause as mothers, almost as if they are long-lost sisters. As the two are brought even closer together by the baby they share, Griffin deftly portrays how, despite that fact that motherhood looks different for all women, the love remains the same.
A touching novel about the power of female friendship, forgiveness, and honesty.Pub Date: June 13, 2023
ISBN: 9781728264059
Page Count: 352
Publisher: Sourcebooks Landmark
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
