by Adele Griffin ‧ RELEASE DATE: Oct. 1, 1998
Griffin (Sons of Liberty, 1997, etc.) peeks into the lives of two sisters, eighth-grader Holland and sixth-grader Geneva Shepard, who live in the shadow of three older siblings killed 18 years ago—before Holland and Geneva were born. The girls are haunted by these siblings through their parents’ emotionally crippled behavior and the legendary status of the tragedy in their New York City community. Holland and obsessive-compulsive Geneva literally confront these ghosts when Annie appears in their lives; wearier every time the girls see her, she is ostensibly a muralist and guardian angel of sorts, guiding the girls to find their paths apart from the family tragedy. Annie’s identity and the direction of the plot are obvious; the premise is haunting and poetic, but is squandered in Holland’s fairly conventional blossoming relationship with a boy and Geneva’s neuroses. The awkwardness of Holland’s narration is compelling at first; she and Geneva act more like tenants in their parents’ lives than beloved members of a family. Then a more pretentious tone emerges: “They will continue to meet in the twilight kingdom of their dining room, and their grief is a feast of pain I can not touch.” A brighter fate for the girls is promised, but whether this devastated family has a real happy ending isn’t answered in these pages. (Fiction. 12-14)
Pub Date: Oct. 1, 1998
ISBN: 0-7868-0423-8
Page Count: 218
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1998
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by Adele Griffin ; illustrated by LeUyen Pham
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by Laura Resau ‧ RELEASE DATE: Sept. 12, 2006
When Clara Luna, 14, visits rural Mexico for the summer to visit the paternal grandparents she has never met, she cannot know her trip will involve an emotional and spiritual journey into her family’s past and a deep connection to a rich heritage of which she was barely aware. Long estranged from his parents, Clara’s father had entered the U.S. illegally years before, subsequently becoming a successful business owner who never spoke about what he left behind. Clara’s journey into her grandmother’s history (told in alternating chapters with Clara’s own first-person narrative) and her discovery that she, like her grandmother and ancestors, has a gift for healing, awakens her to the simple, mystical joys of a rural lifestyle she comes to love and wholly embrace. Painfully aware of not fitting into suburban teen life in her native Maryland, Clara awakens to feeling alive in Mexico and realizes a sweet first love with Pedro, a charming goat herder. Beautifully written, this is filled with evocative language that is rich in imagery and nuance and speaks to the connections that bind us all. Add a thrilling adventure and all the makings of an entrancing read are here. (glossaries) (Fiction. 12-14)
Pub Date: Sept. 12, 2006
ISBN: 0-385-73343-7
Page Count: 272
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
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by Patricia Gualinga & Laura Resau ; illustrated by Vanessa Jaramillo
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by Leza Lowitz ‧ RELEASE DATE: Jan. 12, 2016
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
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