An engaging thriller that, despite some flaws, contains storytelling that pulls readers compulsively onward.
An American family’s trip to see koalas and Australian wildlife becomes a life-and-death situation after they kill an innocent woman in a car crash and her family seeks revenge.
Tom, 44; his second wife, Heather, 24; and his kids, Olivia, 14, and Owen, 12, are in Australia, piggybacking a family vacation onto a business trip. After a difficult year that saw the death of Tom’s first wife and his marriage to Heather—whom the kids dislike—a group trip seems like a way to bring them all together. Renting a car to drive to the coast in search of interesting animals seems like a fun excursion. But while stopping at a roadside stand for food, the family gets to talking with some local people, and they end up on a tiny ferry to a remote private island in search of the wildlife they haven’t yet seen. Once on the island, one thing leads to another, and Tom, driving too fast, hits a woman on a bike, killing her instantly. Over several generations, the family that lives on the island has become a law unto itself, and after realizing that the woman is dead, they seek retribution—whether it will be via death, rape, or cash is to be decided by Ma, the head of the family, and Danny, the husband of the woman who's been killed. Some elements of the survival story feel more like convenient plot points than believable developments, and the writing is occasionally overwrought as McKinty seeks to make weighty statements about life, death, and spiritual links to the natural world, but on the whole, McKinty has written an exciting thriller that follows Heather and the others as they seek to run, hide, and survive the elements until the police—whom they have no way of contacting—can arrive.
An engaging thriller that, despite some flaws, contains storytelling that pulls readers compulsively onward.Pub Date: May 17, 2022
ISBN: 978-0-316-53128-3
Page Count: 384
Publisher: Little, Brown
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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