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AND YOUR DAUGHTERS SHALL PROPHESY

STORIES FROM THE BYWAYS OF AMERICAN WOMEN AND RELIGION

Some nuggets of insight are overwhelmed by a rambling, unavailing narrative.

Women on the fringes of the spiritual world.

In her first book, Shirk (Women’s Studies, English, and Creative Writing/Pratt Institute) seeks to examine why American women have “had to find their own ways [to divinity] outside the prescribed patriarchal orders,” but the narrative is too autobiographical and scattered to fully deliver on that promise. The author, whose eccentric family has roots in both the early Anabaptist movement and the Christian Science church, weaves her own journey of spiritual discovery throughout the book. Tied only to the edges of faith traditions, her journey leaves her mostly without answers. “If I have learned anything,” she notes, “it’s that the truth shifts. The modes by which to interrogate it must always change, and are always changing.” Each chapter revolves erratically around a central theme. In some cases, those themes fit her thesis well—e.g., explorations of early Pentecostal evangelist Aimee Semple McPherson, Christian Science founder Mary Baker Eddy, and New Orleans voodoo priestess Marie Laveau. In some cases, the tie is more tenuous, as in her chapter on Sojourner Truth, in which Shirk compares Truth to her own grandmother. A chapter on Flannery O’Connor is obscured by a focus on New York City, and other chapters have little apparent bearing on the subject matter. In one chapter, the author spends pages on the subject of smoking, and another focuses on her brother’s mental illness. Feminism, family relations, and other similar subjects come into play, but the digressions serve only to pull readers away from the author’s main subject, and the occasional profanity sprinkled throughout seems forced. Rather than a book about women who have acted as spiritual leaders, this is a story about the author and her own search for identity.

Some nuggets of insight are overwhelmed by a rambling, unavailing narrative.

Pub Date: Aug. 22, 2017

ISBN: 978-1-61902-953-8

Page Count: 272

Publisher: Counterpoint

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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