by Adrian Shirk ‧ RELEASE DATE: March 15, 2022
Rigorous, personalized argument for the continued relevance of an old idea.
Ambitious jeremiad about the contrarian past and present-day tendency for idealistic outsiders to gather in flawed utopias.
“I grew up taking for granted that utopian visions were possible,” writes Shirk in this sprawling synthesis of memoir and social history. The book, she explains, coalesced as a different project to develop a DIY artistic commune was thwarted by both personal and social frustrations. Shirk yearned for an alternative to late-stage capitalism’s oppressive effects, which past “shared-purse” communal efforts offered. “The way toward lower overhead, toward less reliance on wage-earning, is it seems through collectivity,” she writes. Simultaneously, her long-term relationship was in decline, partly due to caretaking of her partner’s ailing father, leading her to consider alternatives to such difficult domestic arrangements. She began to unpack how communities have been created in response to these issues, starting with the historical narrative: “I had been dimly aware for some time that I was writing about American utopian communities.” Shirk delves into the twisting paths of such groups in the 19th century as well as the 1960s, but she also considers contemporary grassroots examples of communal living, ranging from the historically rooted Bruderhof and Camphill movements to Philadelphia’s Simple Houses to newer attempts centered around indie culture in the Catskills. The author does not ignore the privilege involved in such contemporary movements, noting of her own youthful efforts, “Our mission was absent of any real ethical content. Looked at another way, we were just a bunch of privileged assholes in Brooklyn in the early twenty-first century.” Shirk writes deftly and in depth. She is well-attuned to her topic’s threads of historical and spiritual complexity as well as her own feelings about relationships, sexuality, and community. Some readers may find that her interweaving of personal tensions with contemporary and historical narratives, and social definitions of heaven, occasionally leads to a disjointed narrative, but it’s a story worth contemplating.
Rigorous, personalized argument for the continued relevance of an old idea.Pub Date: March 15, 2022
ISBN: 978-1-64009-330-0
Page Count: 352
Publisher: Counterpoint
Review Posted Online: Jan. 17, 2022
Kirkus Reviews Issue: Feb. 15, 2022
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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