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THE STORKS CAME BACK

A BOY GROWS UP IN DENMARK UNDER NAZI OCCUPATION

A well-written, thoughtful portrayal of surviving hard times during World War II.

A boy and his family withstand the Nazi occupation of Denmark in this YA novel.

Morten Mors, 8, is worried in early 1940, but it’s not because of Denmark’s recent invasion by Germany. Morten’s dear, loyal Great Dane is at the end of her life and must be euthanized. Before long, though, Morten acquires a fox terrier puppy he names Snap. (Dog lovers: Snap will be fine; another dog is injured but OK.) As Morten tries to lead a normal life over the next few years—playing with his best friend, Bodil, training Snap—he discovers that members of his family are involved in the Resistance. They sometimes host fugitives; Inger, Morten’s older sister, works as a bicycle courier. Morten is made to promise he’ll serve only as a lookout, but he longs to fully contribute. In 1943, the underground network takes Bodil and her mother, who is Jewish, to safety, leaving Morten lonely. It’s a further blow when his father is rounded up with other Danish policemen and sent to a Nazi prison camp. The Mors house is commandeered by Germans, and Morten, his mother, and sister go to Jutland, near the North Sea, to live with his uncle and his wife. Meanwhile, the Resistance strengthens, and Morten discovers a way he can help that will test his courage and resourcefulness. Kamminga (The Sun Road, 2014) writes a well-observed story of a less-explored World War II experience: occupied Denmark. Unlike other, more harrowing accounts of children in hiding or in concentration camps, this tale focuses on Morten’s adaptability to changing circumstances and the Danish-ness of his life: for example, the king, on his daily ride, exchanges greetings as between equals with the postman. Kamminga makes the story’s episodes—learning about the procedures of the Resistance and sabotage, how to make arrows from elderberry whips, dog training—both interesting in themselves and contributory toward the boy’s coming-of-age. The book is also balanced; the chief bully in Morten’s life is a Jewish boy, and the Germans aren’t cartoon villains.

A well-written, thoughtful portrayal of surviving hard times during World War II.

Pub Date: Sept. 11, 2017

ISBN: 978-1-5255-1157-8

Page Count: 180

Publisher: FriesenPress

Review Posted Online: Nov. 21, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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