A well-written, thoughtful portrayal of surviving hard times during World War II.
A boy and his family withstand the Nazi occupation of Denmark in this YA novel.
Morten Mors, 8, is worried in early 1940, but it’s not because of Denmark’s recent invasion by Germany. Morten’s dear, loyal Great Dane is at the end of her life and must be euthanized. Before long, though, Morten acquires a fox terrier puppy he names Snap. (Dog lovers: Snap will be fine; another dog is injured but OK.) As Morten tries to lead a normal life over the next few years—playing with his best friend, Bodil, training Snap—he discovers that members of his family are involved in the Resistance. They sometimes host fugitives; Inger, Morten’s older sister, works as a bicycle courier. Morten is made to promise he’ll serve only as a lookout, but he longs to fully contribute. In 1943, the underground network takes Bodil and her mother, who is Jewish, to safety, leaving Morten lonely. It’s a further blow when his father is rounded up with other Danish policemen and sent to a Nazi prison camp. The Mors house is commandeered by Germans, and Morten, his mother, and sister go to Jutland, near the North Sea, to live with his uncle and his wife. Meanwhile, the Resistance strengthens, and Morten discovers a way he can help that will test his courage and resourcefulness. Kamminga (The Sun Road, 2014) writes a well-observed story of a less-explored World War II experience: occupied Denmark. Unlike other, more harrowing accounts of children in hiding or in concentration camps, this tale focuses on Morten’s adaptability to changing circumstances and the Danish-ness of his life: for example, the king, on his daily ride, exchanges greetings as between equals with the postman. Kamminga makes the story’s episodes—learning about the procedures of the Resistance and sabotage, how to make arrows from elderberry whips, dog training—both interesting in themselves and contributory toward the boy’s coming-of-age. The book is also balanced; the chief bully in Morten’s life is a Jewish boy, and the Germans aren’t cartoon villains.
A well-written, thoughtful portrayal of surviving hard times during World War II.Pub Date: Sept. 11, 2017
ISBN: 978-1-5255-1157-8
Page Count: 180
Publisher: FriesenPress
Review Posted Online: Nov. 21, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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