Fanatics and newcomers to the music will both find plenty of revelation here.
A thoughtful, incisive analysis of hip-hop—and pop music in general—from one of its foremost contemporary architects.
It’s no surprise that this isn’t your standard musical memoir. As drummer and aural conceptualist for the Roots, producer for other artists, Jimmy Fallon bandleader and provocative cultural critic, Thompson, aka Questlove, has pushed the boundaries of convention wherever his creative energies have taken him. Here, he enlists New Yorker editor and novelist Greenman (The Slippage, 2013, etc.), not as a ghostwriter but as a collaborator and occasional interrogator, interweaving the subject/author’s voice with that of Rich Nichols, the Roots’ career strategist and co-manager from the start, in a book that mixes chronological memoir with critical issues not easily resolved—e.g., “What’s black culture? What’s hip-hop? What are the responsibilities of a society and the people in it?” It conjures the life of Questlove from boyhood prodigy to die-hard fan to seminal creative force, through midlife crisis and subsequent renewal, and it captures the revolutionary boyhood excitement of hearing “Rapper’s Delight” shift the axis of the musical world and the giddy weirdness of being invited by Prince to a private, after-hours roller-skating party. The author also discusses being a huge KISS fan, a worshipper of the Beach Boys’ Brian Wilson, “a serious music-press nerd, the kind of kid who collected back issues of Rolling Stone and memorized all the record ratings” and how he and the Roots have faced the charges of being “not black enough.” The result is a book with as much warmth, heart and humor as introspective intelligence.
Fanatics and newcomers to the music will both find plenty of revelation here.Pub Date: June 18, 2013
ISBN: 978-1-4555-0135-9
Page Count: 288
Publisher: Grand Central Publishing
Review Posted Online: May 27, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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