An honest, conflicted glimpse of a country “still sorting through the contradictions of a rapid, and inevitably messy,...

INDIA BECOMING

A PORTRAIT OF LIFE IN MODERN INDIA

Lively, anecdotal look at the people who have been vastly changed by the entrepreneurial explosion in India.

In 2003, Kapur, a half-American, half-Indian journalist, moved back to India, where he had been raised, after more than a decade in America. The country he left as a teenager was still stifled by “fatalism and bureaucracy,” where people were heavily burdened by the rigid social order and tradition. India had enthusiastically embraced globalization, the modern trappings in evidence by ATMs, software parks, cell phones and tractors having replaced bullock carts. On one hand, Kapur saw new Indians who dared to imagine for themselves a different kind of future; on the other, he found that development had taken a terrible toll on the environment, law and order and wealth distribution. The author returned to his home state, yet he traveled widely to meet people and witnessed a “great transformation unfold, unfurl like a heavy, crushing carpet over fragile societies and cultures”—e.g., in the crumbling of the old feudal order, as explained by his new friend Sathy, from a once-powerful noble family accustomed to deference from its inhabitants, especially Dalits. Now Sathy only encountered disrespect and resentment, as new money eroded loyalties and even obedience to law. Kapur talked to many people: a young homosexual, resistant to his parents’ traditional matchmaking but riven by ambivalence; a sex therapist overwhelmed by demands of patients exploring their sexuality for the first time; the acquisitive new urban entrepreneurs both male and female who dated and traveled freely; cow brokers at the shandies in Brahmadesan; scavengers of the landfill outside Pondicherry, which was poisoning the atmosphere. The author finds a nation gripped by an illusory sense of itself and in the throes of wrenching change.

An honest, conflicted glimpse of a country “still sorting through the contradictions of a rapid, and inevitably messy, transformation.”

Pub Date: March 15, 2012

ISBN: 978-1-59448-819-1

Page Count: 304

Publisher: Riverhead

Review Posted Online: Feb. 1, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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