Uneven but often striking work from one of the UK’s best younger writers.
The complications of loving and the pains of estrangement are explored with restrained wit and emotion in this new collection from the prizewinning Scottish author (Everything You Need, 2001, etc.).
The weakest of these dozen stories are generally those that don’t develop beyond core expressions of longing, regret, or resentment. “Not Anything to Do with Love,” for example, though beautifully written, amounts to little more than its unidentified narrator’s reflections on a recently concluded love affair. “Touch Positive,” about a recently discarded husband losing himself in quotidian errands, and “Awaiting an Adverse Reaction,” in which a woman being inoculated before taking a foreign trip considers escape from her nondescript husband, seem equally thin. But the strength of the volume is Kennedy’s command of several intriguingly varied voices, such as those heard in “An Immaculate Man,” which precisely records the emotional whirligig that engulfs a timid divorce attorney unhinged by what he takes to be a homosexual advance made by his married boss. In “Spared,” an unhappy husband finds both sexual gratification and apocalyptic terror in a hastily experienced adulterous dalliance. In the elaborately conceived “White House at Night,” a forensic expert investigating atrocities in an embattled Eastern European country is himself violated by stunned apprehension of his own romantic and sexual vulnerability. A boy too young and frail to defend his mother against his father’s abuse fantasizes becoming her avenger (“A Bad Son”). And a janitor who moonlights as an amateur magician (in “A Little Like Light”) must settle for the appearance rather than the reality of happiness in a sexless “affair” that leads him to realize that “The best love is a little like light. . . . It is beautiful and terrible and blinding and you will never understand the trick of it.”
Uneven but often striking work from one of the UK’s best younger writers.Pub Date: June 27, 2003
ISBN: 1-4000-4055-8
Page Count: 208
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
A laugh-out-loud funny book that will delight longtime Kinsella fans and those looking for a cozy holiday story.
Kinsella’s (I Owe You One, 2019, etc.) much-loved Shopaholic is back—and this time, it’s Christmas.
Becky Brandon is looking forward to spending Christmas with her husband and daughter at her parents’ house, just like always. It’s cozy and warm and, other than her favorite Christmas tradition (shopping), Becky doesn’t have to do much of anything. But then her parents drop a huge surprise—they’re moving to an apartment in the superhip London neighborhood of Shoreditch. Now, instead of Christmas sweaters and carols, they’re into unicycles and avocado toast. Her parents’ transformation into hipsters means that Becky has to host Christmas at her home in Letherby. Becky has no idea how to host a holiday dinner for her entire family and extended network of family friends, but she’s never met a problem she couldn’t shop her way out of. As usual, however, Becky finds herself stuck with a ton of problems. First, she needs to find the perfect gift for her husband, Luke, but in order to get it she just might have to petition an all-male billiards club to accept female members (Becky, of course, doesn’t play billiards). She might be in trouble with the entire country of Norway after creating her own (fictional) version of hygge, “sprygge.” Her environmentally conscious sister wants Becky to decorate a broom instead of a Christmas tree and have a vegan turkey on the table. And then there’s her musician ex-boyfriend who unexpectedly shows up in town with his new girlfriend. With everything on Becky’s plate, will she be able to create the picture-perfect Christmas she dreams of? Becky is still a hardworking, eminently lovable character who just wants to do the right thing, even if she usually screws everything up and finds herself in hilariously awful situations (like, for example, storing 30 pounds of smoked salmon on her front lawn under a duvet).
A laugh-out-loud funny book that will delight longtime Kinsella fans and those looking for a cozy holiday story.Pub Date: Oct. 15, 2019
ISBN: 978-0-593-13282-1
Page Count: 448
Publisher: Dial Press
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
A meandering and didactic family saga by Chickasaw poet, novelist, and essayist Hogan (Dwellings, p. 835; Mean Spirit, 1990), a tale that attemptsÖ la Little Big Manto rewrite the history of the American West from a Native American perspective. At 17, Angela Jensen decides that it's time to untangle her family, a process she begins by going hometo a remote village in western Canada called Adam's Rib, a place she no longer even recognizes. Angela looks up Agnes Iron, her great-grandmother, whom she's never met, and is soon introduced to Bush, who looked after Angela's deranged mother, Hannah, and raised Angela herself after Hannah's early death. At first, it is information about her motherstories, accounts, explanationsthat most interests Angela, but eventually she understands that the history of her family is woven tightly into the history of her family's tribe and the bloody strife that has colored their lives ever since the white men came among them: ``For us, hell was cleared forests and killed animals. But for them, hell was this world in all its plenitude.'' The troubles have been carried down to the present day, except that now the threat is comprised not of missionaries and European settlers but of government authorities who want to develop the land out of existence through the construction of a mammoth hydroelectric power plant. As her consciousness is raised, Angela begins to recognize her real identity but desires, and the anger that she labors under throughoutand that finds expression mainly in the crudest caricatures of Western culture and North American history imaginableis relieved by the happy fulfillment of her romantic (rather than political) life: a fairy-tale marriage that seems in this terrain to be even more out-of-place than the dam would have been. Tediously obvious and overwritten; Hogan's characters are so excruciatingly limited to the representation of their cultures that they become little more than allegories, reducing the tale to agitprop.
Pub Date: Oct. 1, 1995
ISBN: 0-684-81227-4
Page Count: 320
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
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