THE COFFIN DANCER

Lincoln Rhyme, the quadriplegic criminalist of The Bone Collector (1997), returns to confront the uncannily resourceful killer who’s been hired to eliminate three witnesses in the last hours before their grand jury testimony. The first witness is no challenge for the Coffin Dancer, so dubbed after his distinctive tattoo: He simply plants a bomb on Hudson Air pilot/vice-president Edward Carney’s flight to Chicago and waits for the TV news. But Ed’s murder alerts the two other witnesses against millionaire entrepreneur-cum-weapons-stealer Phillip Hansen, and also alerts the NYPD and the FBI that both those witnesses—Ed’s widow, Hudson Air president Percey Clay, and her old friend and fellow-pilot Brit Hale—are on the hot seat. With 45 hours left before they’re scheduled to testify against Hansen, they bring Rhyme and his eyes and ears, New York cop Amelia Sachs, into the case. Their job: to gather enough information about the Coffin Dancer from trace evidence at the crime scene (for a start, scrapings from the tires of the emergency vehicles that responded to the Chicago crash) to nail him, or at least to predict his next move and head him off. The resulting game of cat and mouse is even more far-fetched than in The Bone Collector—both Rhyme and the Dancer are constantly subject to unbelievably timely hunches and brain waves that keep their deadly shuttlecock in play down to the wire—but just as grueling, as the Dancer keeps on inching closer to his targets by killing bystanders whose death scenes in turn provide Rhyme and Sachs with new, ever more precise evidence against him. Fair warning to newcomers: Author Deaver is just as cunning and deceptive as his killer; don’t assume he’s run out of tricks until you’ve run out of pages. For forensics buffs: Patricia Cornwell attached to a time bomb. For everybody else: irresistibly overheated melodrama, with more twists than Chubby Checker. (First printing of 100,000; Literary Guild main selection)

Pub Date: Aug. 1, 1998

ISBN: 0-684-85285-3

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1998

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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