by Alain Mabanckou ; translated by Helen Stevenson ‧ RELEASE DATE: Sept. 16, 2025
The power of this novel revolves around its small yet larger-than-life moments.
A journey back from the dead is illuminated by thrilling, one-of-a-kind encounters.
The border between life and death is porous—nearly nonexistent—in this exhilarating tale examining the intersection of our world and the next. Mabanckou writes with equal doses of whimsy and descriptiveness, creating a hero’s journey told backward in the second person by a narrator who speaks directly to the protagonist, Liwa Ekimakingaï. Having lived in the Congolese town of Pointe-Noire, Liwa first grapples with his recent death and then begins to encounter the various worlds he has departed, entered into, and straddles. Mabanckou gives the story a crackling energy, which moves from the present to the recent past to Liwa’s childhood with ease. His passionate language gives the book’s opening a charge, instantly thrusting the reader into something akin to the shock of being dead—if shock can be felt in the afterlife. The novel begins: “You tell yourself over and over till you come to believe it: your new life started an hour ago, when a shock ripped through the earth around you, and you felt yourself being sucked up by a cyclone, then flung down where you’re lying right now, on a heap of earth topped with a brand-new wooden cross.” From there, the pace only quickens. Liwa is met by heaps of fascinating friends, and gaps are filled from equally titillating characters he encountered while alive, the most important being his grandmother Mâ Lembé. It’s their relationship that gives Mabanckou’s novel its power, and any desire to figure out how or why Liwa died dissipates as their final meeting is described. The last time he sees her is described like this: “Complete happiness, at which you blink for a moment, and fill your ribcage with breath.” A feeling that hopefully reverberates into infinity.
The power of this novel revolves around its small yet larger-than-life moments.Pub Date: Sept. 16, 2025
ISBN: 9781620979556
Page Count: 208
Publisher: The New Press
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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BOOK REVIEW
by Alain Mabanckou ; translated by Helen Stevenson
BOOK REVIEW
by Alain Mabanckou ; translated by Helen Stevenson
BOOK REVIEW
by Alain Mabanckou translated by Helen Stevenson
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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389
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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