A country's fraught history comes vividly to life through a child's eyes.
An ingenuous young teenager is thrust into a nation's chaos.
Novelist, poet, and essayist Mabanckou returns to his native Congo in a gentle tale translated by Stevenson. At once charming and disquieting, the novel is narrated by Michel, who lives with his mother and Papa Roger, his adopted father, in the town of Pointe-Noire. A student at the Three-Glorious-Days middle school, Michel is given to daydreaming and making innocent remarks that discomfit some people. He tries to censor himself, reflecting, “people will say Michel always exaggerates, and sometimes he says rude things without meaning to.” His world is inhabited by evil spirits, river monsters, superstition, and fierce animosity between northerners and southerners. He learns that whites and black capitalists exploit Congolese, that other African nations—especially Zaire—are trying to wage war, create chaos, and steal Congo’s oil; he knows that colonization has victimized Africa; and he is a fervent supporter of the Congolese Socialist Revolution. Whatever he learns of life beyond Pointe-Noire comes from Papa Roger, who works at the posh Victory Palace Hotel, where he has gleaned a measure of sophistication about world events. On his static-filled radio, Papa Roger prefers to listen to the Voice of America rather than the Voice of the Congolese Revolution. The critical event of Michel’s young life occurs on March 18, 1977, when the nation learns that President Marien Ngouabi has died: Gossip swirls, and quickly the streets fill with military vehicles. Michel has been taught to revere Ngouabi: “It was Marien Ngouabi who changed our national anthem, our flag, and who laid out the path of scientific socialism we follow today....” The assassination upends Michel’s world, and in the ominous atmosphere that ensues, he comes to understand his country’s politics, and his own family’s involvement, in disquieting new ways.
A country's fraught history comes vividly to life through a child's eyes.Pub Date: Sept. 1, 2020
ISBN: 978-1-62097-606-7
Page Count: 256
Publisher: The New Press
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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