by Alan Bradley ‧ RELEASE DATE: Feb. 5, 2013
The Flavia bandwagon rolls on: Not only will she star in five more novels, but she’ll also shine in several...
Irrepressible Flavia de Luce, the self-taught whiz kid who adores cyanide and has a soft spot for strychnine, confronts lead poisoning.
To celebrate St. Tancred’s quincentennial, the vicar has asked permission from the diocese to open the holy man’s tomb and have his remains present at the feast. Naturally, 11-year-old Flavia, who loves corpses the way other girls her age love butterflies and unicorns, mounts her bicycle, Gladys, and races to the church to be first in line to see the remains. The vicar, the diggers and Flavia are aghast when the first corpse they come upon belongs to Mr. Collicutt, the church organist, who died with a gas mask on and a bit of ruffle at his throat. Inspector Hewitt is at a loss, but Flavia has stepped up to crime-solving before (I Am Half-Sick of Shadows, 2011, etc.). Despite the distressing news that the debts of her father, the colonel, so exceed his income that Buckshaw, the family home, must be put on the market, Flavia conscientiously collects blood dabs; discovers love rivals in the Ladies Altar Guild; meets Magistrate Ridley-Smith’s son, locked away in the upper reaches of Bogmore Hall, who mistakes Flavia for her long-gone mother, Harriet; discovers a tunnel leading from the cemetery to St. Tancred’s crypt; and consults with private eye Adam Sowerby, who knows that some Latin marginalia in an ancient text and plant lore gleaned from herbalist Mad Meg are important clues. Then there’s nothing more to do than call Inspector Hewitt into the study and explain everything to him. But can young Flavia, who can deal with even grand-scale mayhem, cope with her father’s pronouncement on the very last page?
The Flavia bandwagon rolls on: Not only will she star in five more novels, but she’ll also shine in several made-for-television films.Pub Date: Feb. 5, 2013
ISBN: 978-0-385-34403-6
Page Count: 400
Publisher: Delacorte
Review Posted Online: Nov. 3, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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BOOK REVIEW
by Alan Bradley
BOOK REVIEW
by Alan Bradley
BOOK REVIEW
by Alan Bradley
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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