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HONOLULU

An overly informative but poignant, colorful story.

Brennert's second novel (Moloka’i, 2003) explores Hawaii's “golden age” through the eyes of Korean immigrants.

In turn-of-the-century Korea, a young woman named Regret is bound to a veiled, subservient life by strict Confucian dogma. In a desire to escape her repressive society and gain an education, Regret signs up as a picture bride and is shipped off to Hawaii, where she finds herself hastily wed to Mr. Noh, a sugar-cane plantation worker with drinking and gambling problems. When Noh's actions become more than she can bear, Regret (now known as Jin) flees to Honolulu and begins a new life. Her tenacity and resourcefulness, coupled with the friendships she forms with her fellow Korean picture brides and new acquaintances, are the backbone of her survival. The struggles Jin and her fellow Koreans face—discrimination, poverty, abuse—are an emotional illustration of the seedy underside of the group of islands most people view as paradise. Brennert has an encyclopedic knowledge of Hawaiian history, which, while impressive, proves unfortunate when parts of the book begin to read like an encyclopedia. While the cultural tidbits and historical references are interesting, they are not blended seamlessly into the narrative. Luckily, Jin is an admirable character and an apt storyteller, and the arc of her life provides a fascinating look at an often untold and decidedly unglamorous side of 20th-century Hawaii. It’s intriguing and visceral enough to pull readers through the sandstorm of factual information. As Jin's new family multiplies, she finds closure with relatives still living in Korea and, in a sentimental turn, discovers she has lived the American Dream.

An overly informative but poignant, colorful story.

Pub Date: March 1, 2009

ISBN: 978-0-312-36040-5

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2009

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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