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HITLER AND STALIN

PARALLEL LIVES

A masterpiece by Bullock (Ernest Bevin, 1984, etc.) that covers some of the most devastating events—as well as two of the most terrible personalities—of our century with breathtaking analytical power and narrative sweep. One of the most fruitful aspects of this dual biography is to reveal, for all the differences between Hitler and Stalin, how much they had in common. The differences were mainly in personality: Stalin the great calculator, Hitler the gambler; Stalin the master of bureaucracy, Hitler the artist-politician, hating routine; Stalin the sly, political Houdini, Hitler the charismatic leader. But their similarities were perhaps more significant. Both were guilty of crimes against humanity on a scale unprecedented in history: Like the Jews in Germany, peasant farmers in the Soviet Union were members of an outlawed class denied all human rights. The corruption in the heart of Nazism, according to Bullock, lay in its ends; in Communism, in its means. Neither Hitler nor Stalin, he believes, was mad. Both were entirely serious about their historic roles, the author says; skeptical about the motives of others, their cynicism stopped short of their own. But Hitler, at the end, was close to insanity; and Stalin had all the symptoms associated with paranoia—chronic suspicion, self-absorption, jealousy, hypersensitivity, and megalomania. Both men brought unprecedented suffering on their own people; the difference, Bullock notes, is that defeat exacted a terrible price from the German people, but at least spared them the continuation of Nazism, while victory cost the Russian people even more—but did not liberate them. A magnificent history, accessible and often moving. Bullock's mastery of research sources, his judgment, and his analytic powers prove him one of the great historians of our time. (Seventy-one photographs and 18 maps—not seen.)

Pub Date: March 31, 1992

ISBN: 0-394-58601-8

Page Count: 1024

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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