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BAGGAGE

TALES FROM A FULLY PACKED LIFE

Cathartic and revelatory, Cumming’s memoir will fascinate fans and those who relate to his internal struggle.

The acclaimed actor reflects on overcoming a painful past to make room for a fruitful future.

In his moving debut memoir, Not My Father’s Son (2014), Scottish actor and activist Cumming (b. 1965) urgently confessed to growing up in a sadistically abusive family and how that experience hobbled his adult life, suppressing his emotional maturity and limiting his capacity for happiness. In this wise, pensive, sometimes chatty book, the author examines how he has been able to embrace the painful memories embedded in his “splintered psyche” in order to move forward and face further challenges along the way. He shares stories of his strained eight-year heterosexual marriage and his deep dive into early theater roles to fill the void. From there, Cumming nonchronologically glances further back into his childhood and his burgeoning love of performance and drama school. In the 1990s, British theater gave way to glittery feature film junkets and side character roles in Hollywood; he includes an expanded memory about his work with Stanley Kubrick and Tom Cruise in Eyes Wide Shut. Cumming came out in the late 1990s after a momentous Tony Award–winning performance in Cabaret and a greatly anticipated relocation to New York City. The book’s midsection is aflutter with Hollywood anecdotes of stars, dalliances, and heartbreaks over men as well as the breathless first encounter with his husband, Grant. Thoughtful, candid revelations join with intimate confessions while Cumming’s witty repartee never falters. Regardless of his traumatic past, the memoir lifts the veil on a happier man who has “transcended and bloomed.” With heartfelt anecdotes and an honest perspective, Cumming shares the struggles and joys of a fulfilling life while making peace with the baggage of a troubled past.

Cathartic and revelatory, Cumming’s memoir will fascinate fans and those who relate to his internal struggle.

Pub Date: Oct. 26, 2021

ISBN: 978-0-06-243578-1

Page Count: 288

Publisher: Dey Street/HarperCollins

Review Posted Online: Aug. 23, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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  • New York Times Bestseller

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

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An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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