Cathartic and revelatory, Cumming’s memoir will fascinate fans and those who relate to his internal struggle.
The acclaimed actor reflects on overcoming a painful past to make room for a fruitful future.
In his moving debut memoir, Not My Father’s Son (2014), Scottish actor and activist Cumming (b. 1965) urgently confessed to growing up in a sadistically abusive family and how that experience hobbled his adult life, suppressing his emotional maturity and limiting his capacity for happiness. In this wise, pensive, sometimes chatty book, the author examines how he has been able to embrace the painful memories embedded in his “splintered psyche” in order to move forward and face further challenges along the way. He shares stories of his strained eight-year heterosexual marriage and his deep dive into early theater roles to fill the void. From there, Cumming nonchronologically glances further back into his childhood and his burgeoning love of performance and drama school. In the 1990s, British theater gave way to glittery feature film junkets and side character roles in Hollywood; he includes an expanded memory about his work with Stanley Kubrick and Tom Cruise in Eyes Wide Shut. Cumming came out in the late 1990s after a momentous Tony Award–winning performance in Cabaret and a greatly anticipated relocation to New York City. The book’s midsection is aflutter with Hollywood anecdotes of stars, dalliances, and heartbreaks over men as well as the breathless first encounter with his husband, Grant. Thoughtful, candid revelations join with intimate confessions while Cumming’s witty repartee never falters. Regardless of his traumatic past, the memoir lifts the veil on a happier man who has “transcended and bloomed.” With heartfelt anecdotes and an honest perspective, Cumming shares the struggles and joys of a fulfilling life while making peace with the baggage of a troubled past.
Cathartic and revelatory, Cumming’s memoir will fascinate fans and those who relate to his internal struggle.Pub Date: Oct. 26, 2021
ISBN: 978-0-06-243578-1
Page Count: 288
Publisher: Dey Street/HarperCollins
Review Posted Online: Aug. 23, 2021
Kirkus Reviews Issue: Sept. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A substantive, dishy, entertaining glimpse into Hollywood royalty.
The Oscar-winning actor and producer opens up about filmmaking, sex, drugs, and escaping his father’s shadow.
Despite its casual, just-shooting-the-breeze title, Douglas’ memoir is detailed and precision-engineered to entertain; as a filmmaker who won his first Oscar as a producer (for 1975’s One Flew Over the Cuckoo’s Nest), he knows a successful story needs clarity and conflict to work. The son of screen legend Kirk Douglas, he was well-acquainted with celebrity at an early age; witnessing his parents’ divorce, he spent much of his youth acting out. (He paid for college by selling weed by the suitcase-load.) After years of stalls and failures, he broke through on TV with the ’70s cop show The Streets of San Francisco. But small-screen work (along with his nepo-baby status) made breaking into big-screen roles harder until 1984’s Romancing the Stone made him a star and 1987’s Wall Street earned him a second Oscar. Douglas is candid about his industry struggles—like endless budget fights and betraying his father, who was promised the lead in Cuckoo’s Nest—and his reputation as a lothario. (Though married, he had an on-set affair with Kathleen Turner during Stone.) He’s also open about his alcohol and cocaine abuse, leading to a rehab stint, echoed in his son Cameron’s own struggles with addiction and recovery. He’s comfortable discussing controversies—the LGBTQ+ community’s protests of 1992’s Basic Instinct, his proto-MAGA character in 1993’s Falling Down—and plainly keeps an enemies list. But this story arc leaves him triumphant, with a loving wife (Catherine Zeta-Jones), his family, his health (after a cancer scare), and a late-career Emmy for playing Liberace in Behind the Candelabra (2013).
A substantive, dishy, entertaining glimpse into Hollywood royalty.Pub Date: Oct. 6, 2026
ISBN: 9781538782224
Page Count: 496
Publisher: Grand Central Publishing
Review Posted Online: Oct. 6, 2026
Kirkus Reviews Issue: Nov. 1, 2026
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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