Who knows why this stuff is so deeply satisfying? But it most surely is.
An Italian journalist joins forces with fellow expatriates in Paris to subvert the Fascist government at home, while he sinks into love with a German aristocrat.
At ease again in the time and territory he has carved out for himself in such fine fashion, Furst (Dark Voyage, 2004; Blood of Victory, 2002) sets the stage here with a murder. The dapper, aging editor of Liberazione, a subversive newspaper published by anti-Mussolini intellectuals in France, is executed by a Fascist hit team while in the arms of his mistress. His job goes to Carlo Weisz, a half-German scribbler from Trieste who, like his colleagues, has fled for his life from the thugs who stole Italy in 1922. Weisz is, like all great Furst heroes, at first view anything but heroic. Fortyish and a loner, the Reuters reporter, newly returned from covering the Spanish Civil War, lives in seedy digs, dallying with a lovely Parisian he does not love, dining alone in neighborhood bistros, observing the coming catastrophe. The little newspaper to which he donates his time is his one effort to stick it to the criminals in power in Rome. Smuggled into Italy by a network of resistance workers, Liberazione is printed in Genoa under the noses of the authorities and distributed throughout the country by high-school girls. It is enough of an annoyance to the fascisti that the lives of all contributors are at risk, and Weisz, as editor, is first now on the hit list of OVRA, the nasty Italian organization hunting enemies of the state. He’s also watched by interested British intelligence teams. An assignment to report events in Berlin reunites Weisz with old love Christa von Schirren, now married to a Prussian aristocrat. Christa is also involved with resistance efforts, perhaps even more dangerously than Weisz. As the great dark forces of the age close in on the couple, Weisz finds it necessary to strike a deal with those slippery Brits.
Who knows why this stuff is so deeply satisfying? But it most surely is.Pub Date: June 6, 2006
ISBN: 1-4000-6019-2
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2006
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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