A delightful, detailed chronicle of great men (and a rare woman) whose fascination with the night sky and the technology...
Photography, not computers, ushered in modern astronomy. Here, its bumpy evolution is in the expert hands of Harvard College Observatory associate Hirshfeld (Physics/Univ. of Mass. Dartmouth; Eureka Man: The Life and Legacy of Archimedes, 2009, etc.).
In this highly illuminating history, the author “explores the decades-long bridge of innovation that transformed Victorian-era visual astronomy into the scientific discipline that is observational astrophysics.” Although revolutionary when it appeared around 1600, the telescope is simply an amazing extension of the eye, not designed to function in dim lighting or make a permanent record. The daguerreotype dazzled the world in 1839, and an early photograph of the moon, unimpressive by modern standards, created a sensation in 1851, but stars and planets remained off limits until film sensitivity vastly increased with the dry plate in the 1870s. Equally essential to astronomers was the simultaneous maturing of the spectroscope. Splitting light into innumerable hues and lines, it allowed not only the discovery that stars were similar to the sun, but also the identification of their precise chemical makeup and movements. By the 1880s, “what had been a noisome, exasperating art had become a predictable mainstream technology that would eventually recast the telescope as an adjunct of the camera” and spectroscope. Until that decade, Hirshfeld emphasizes brilliant but now-unknown amateurs (Andrew Common, William Bond, William Huggins, Isaac Roberts) who fell in love with astronomy and had no objection to the clunky new technology. Afterward, they were replaced by academically trained but equally obsessive scientists who oversaw the creation of the massive 20th-century observatories (George Ellery Hale) and revealed an unimaginably immense, expanding universe (Edwin Hubble, Harlow Shapley).
A delightful, detailed chronicle of great men (and a rare woman) whose fascination with the night sky and the technology necessary to study it led to today’s dramatic discoveries.Pub Date: July 8, 2014
ISBN: 978-1-934137-78-9
Page Count: 400
Publisher: Bellevue Literary Press
Review Posted Online: May 20, 2014
Kirkus Reviews Issue: June 1, 2014
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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