TAKE ME OUT OF THE BATHTUB

AND OTHER SILLY DILLY SONGS

It’s not that the new lyrics set to old-favorite tunes aren’t humorous in Katz’s book, it’s that they are predictable. There’s the piece on dirty nappies (set to “Twinkle, Twinkle”): “Stinky stinky diaper change / Boy, my brother smells so strange / He made something in his pants / Sure hope it won’t attract ants . . . ” And the piece on vomiting (“Oh, Susanna”): “I’m so carsick / Gotta go wee-wee / Hey Dad, stop this Toyota / And next time, go without me!” And on being grungy (“It’s Raining, It’s Pouring”): “I’m filthy, I’m dirty / Got mud on my shirty.” Time-honored, crowd-pleasing topics, as are the thematic items, like meatloaf (mashed in your hair during a food fight, being prepared in the washing machine) and exasperated parents. But like those nappies, the work here lacks a certain freshness: Cleverness they may have, novelty they haven’t. Catrow’s illustrations are manic in a bug-eyed way, and it has to be handed to him that he hasn’t stooped to the graphic to get chuckles, but keeps things at the suggestive level. (Picture book. 3-6)

Pub Date: May 1, 2001

ISBN: 0-689-82903-5

Page Count: 32

Publisher: McElderry

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2001

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SAY HELLO!

Today Carmelita visits her Abuela Rosa, but to get there she must walk. Down Ninth Avenue she strolls with her mother and dog. Colorful shops and congenial neighbors greet them along the way, and at each stop Carmelita says hello—in Spanish, Arabic, Hebrew and more. With a friendly “Jambo” for Joseph, a “Bonjour” at the bakery and an affectionate “Hey” for Max and Angel, the pig-tailed girl happily exercises her burgeoning multilingual skills. Her world is a vibrant community, where neighborliness, camaraderie and culture are celebrated. Isadora’s collaged artwork, reminiscent of Ezra Jack Keats, contains lovely edges and imperfections, which abet the feeling of an urban environment. Skillfully, she draws with her scissors, the cut-paper elements acting as her line work. Everything has a texture and surface, and with almost no solid colors, the city street is realized as a real, organic place. Readers will fall for the sociable Carmelita as they proudly learn a range of salutations, and the artist’s rich environment, packed with hidden details and charming animals, will delight readers with each return visit. Simply enchanting. (Picture book. 3-5)

Pub Date: April 1, 2010

ISBN: 978-0-399-25230-3

Page Count: 32

Publisher: Putnam

Review Posted Online: Dec. 23, 2010

Kirkus Reviews Issue: March 1, 2010

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TEN LITTLE FINGERS AND TEN LITTLE TOES

A pleasing poem that celebrates babies around the world. Whether from a remote village or an urban dwelling, a tent or the snow, Fox notes that each “of these babies, / as everyone knows, / had ten little fingers / and ten little toes.” Repeated in each stanza, the verse establishes an easy rhythm. Oxenbury’s charming illustrations depict infants from a variety of ethnicities wearing clothing that invokes a sense of place. Her pencil drawings, with clean watercolor washes laid in, are sweetly similar to those in her early board books (Clap Hands, 1987, etc.). Each stanza introduces a new pair of babies, and the illustrations cleverly incorporate the children from the previous stanzas onto one page, allowing readers to count not only fingers and toes but also babies. The last stanza switches its focus from two children to one “sweet little child,” and reveals the narrator as that baby’s mother. Little readers will take to the repetition and counting, while parents will be moved by the last spread: a sweet depiction of mother and baby. (Picture book. 3-5)

Pub Date: Oct. 1, 2008

ISBN: 978-0-15-206057-2

Page Count: 34

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2008

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