A treat for the Man in Black’s many fans.
A profusely illustrated volume documents a celebrated performer’s struggles and hard-won triumphs.
Veteran music journalist Light (What Happened Miss Simone?: A Biography, 2016, etc.) offers an admiring yet cleareyed biography of Johnny Cash (1932-2003), a composer, singer, and guitar player who crossed many genres. Though associated mainly with country, in 1992, when he was inducted into the Rock and Roll Hall of Fame, Cash acknowledged a wide range of influences, including Alan Lomax’s field recordings of hill country music, Hank Williams, and gospel singer Sister Rosetta Tharpe. Cash’s cultural contributions went beyond music; he was also an actor, writer (of two autobiographies and a novel), and social and political activist. “You could guide your ship by him,” his friend Bob Dylan said. “Listen to him and he always brings you to your senses.” Cash made his first major concert appearance in 1955, opening for Elvis Presley in Memphis; “Cash don’t have to move a muscle, he just sings and stands there,” Presley remarked. “The whole world will know Johnny Cash.” His early recordings—“Folsom Prison” and “I Walk the Line”—were immediate hits, topping country and pop charts. But neither his career nor his personal life was smooth. Married with four children, he fell in love with singer June Carter and desperately wanted his Catholic wife to agree to a divorce. In the 1960s, he descended into alcoholism and drugs, “gobbling amphetamines at a ferocious pace.” During a seven-year period, he found himself in jail seven times for drug-related offenses. Throughout the book, Light interrupts the chronology of Cash’s life with “spotlights,” concise essays on four themes: musical influences, social concerns, marriage to June (complex, tense, and often volatile), and religion (he was a good friend of Billy Graham). The author draws on Cash’s autobiographies, music history and criticism, interviews, and writings by Cash’s family to produce an intimate and engaging portrait. By far the greatest strength of the book, though, are the illustrations: memorabilia from family archives and abundant photographs that capture Cash’s undeniable charisma.
A treat for the Man in Black’s many fans.Pub Date: Oct. 23, 2018
ISBN: 978-1-58834-639-1
Page Count: 224
Publisher: Smithsonian Books
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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