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GHOST

Name: GHOST
Author: Alan Lightman
ISBN: 978-0-375-42169-3

by Alan Lightman ‧ RELEASE DATE: Oct. 23, 2007

A weighty issue, but a wisp of a novel.

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A guy sees a ghost. This leads to an evaluation of the supernatural in Lightman’s low-key fifth novel (Reunion, 2003, etc.).

When 42-year-old David Kurzweil loses his job at a bank, he goes to work at a mortuary. In the so-called slumber room, where relatives view their loved ones, David sees “a thing near a dead body. A vapor…It seemed alive. It had…intelligence. It looked at me.” Within seconds it’s gone. David is a regular guy, and we never doubt his honesty, though his account is generally greeted with skepticism. His boss Martin, the mortuary director, gently suggests he see a shrink. His story gets into the local paper, and David is visited by two emissaries from the Society for the Second World. They don’t seem like kooks, so David agrees to be the subject of an experiment which will test his openness to the nonmaterial world. The investigator, Dr. Tettlebeim, is pleased with the results, but David’s old friend Ronald, a university chemistry professor, thinks Tettlebeim’s claims of David’s special powers are absurd and should be denounced. David feels caught in the middle; he could do without the attention. After all, he does have a life of his own, though not much of one. It’s been eight years since his wife Bethany divorced him, but David’s lonely bachelor life has looked up since he started dating Ellen, a librarian, and his mortuary job, ghost aside, has proved surprisingly fulfilling. He enjoys working for the tender-hearted Martin, who has become a father figure (his own father died when he was eight). This should be fertile ground for teacher/physicist Lightman, best-known for the lightly worn erudition of Einstein’s Dreams (1993), and indeed he is scrupulously fair in presenting the arguments of the opposing camps. But the story never quite catches fire, and it ends with a transparently contrived death.

A weighty issue, but a wisp of a novel.

Pub Date: Oct. 23, 2007

ISBN: 978-0-375-42169-3

Page Count: 256

Publisher: Pantheon

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2007

Categories:

GENERAL FICTION

- BOOK REVIEW
THE SHAPE OF WONDER
by Alan Lightman & Martin Rees

- BOOK REVIEW
THE MIRACULOUS FROM THE MATERIAL
by Alan Lightman

- BOOK REVIEW
THE TRANSCENDENT BRAIN
by Alan Lightman

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.