In his second foray into fiction, MIT physics and writing teacher Lightman (Einstein's Dreams, 1993, etc.) integrates hard science into a commentary about chaos and order in human experience. Bennett Lang is born in Memphis to an elusive father, who buries himself in books, and a demanding mother, who wanted a daughter but bore three sons instead. Bennett's closest brush with intimacy comes from the family's black maid, Florida. But class and race prevent him from ever getting too close. To fill this emotional void and create a sense of order, Bennett turns to science at a young age. Lightman's descriptions of a young boy wondering why the sky turns red at sunset or why soap bubbles form nearly perfect spheres guide readers gently toward the more complex questions that haunt Bennett as he grows older. He loves sifting through the debris of the physical world and coming up with a ``single mathematical equation of inescapable solution.'' This compelling desire for absolute certainty drives him to pursue physics at a northeastern college where, as a graduate student, he determines the configuration of a mixture of light and heavy particles flying about in a sphere after they've achieved a balance. While he accepts that the problem is trivial, we're drawn into the poetry he finds in theory: When he writes down an equation and ``ten thousand stars would appear, careening through space...if he paused to eat tuna fish, the stars suddenly froze.'' When Bennett becomes a professor, he recognizes that he can only bury himself in calculations for so long. But his marriage to a self-deprecating artist, his effort to gather the discoveries of a reclusive and genius physicist, and his attempts to reconnect with his best friend from childhood all fail. An enchanting and resonating lesson that perfect order exists only on paper and another kind of perfection, ``fragile and flutelike,'' orders the everyday world.
Pub Date: Jan. 18, 1995
ISBN: 0-679-43614-6
Page Count: 224
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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