Food puns may not be forgivable, but this book makes a surprisingly strong defense.
A pun is almost always dangerous.
Nearly every name in this picture book populated by breads (both raised and flat) is a play on words. Some of them will make readers feel clever. The main character is Alfie Koman, and his best friend is Challah Looyah, which will amuse anyone who loves Jewish holiday food. Classmates Naan-cy and Cornelius Tortilla provide additional overt ethnic diversity but maybe not many chuckles, and naming a charred piece of bread Burnie Toast is questionable at best. The class bully is called Loaf, which is barely a joke at all. The visual humor is more successful. The talking challah, for example, has braided hair. It seems very apt—whether it’s meant as a joke or not—that Loaf is shaped like the tablets that contain the Ten Commandments. (In the pictures, Moses and most of the Israelites are depicted as human and appear to be White.) Alfie spends most of the book trying to tell the Passover story to his classmates, but Loaf keeps interrupting. This leads to some wonderfully stupid jokes. The ruler of Egypt, Loaf says, is a giant insect named Pha-Roach, and according to him, the 10 plagues include “Birthday Clowns” and “Indoor Recess Forever.” The book turns briefly serious when Alfie finally stands up to the bully (yelling, “LET MY STORY GO!”) and tells “the REAL Passover story.” This leads to an inspiring moral about bravery and friendship, but many readers won’t mind the lesson, because it’s both genuinely moving and a relief from the puns. (This book was reviewed digitally with 10.5-by-19-inch double-page spreads viewed at 90.2% of actual size.)
Food puns may not be forgivable, but this book makes a surprisingly strong defense. (glossary) (Picture book. 3-8)Pub Date: March 2, 2021
ISBN: 978-0-593-11811-5
Page Count: 36
Publisher: Viking
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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