by Alana Stewart ‧ RELEASE DATE: Oct. 1, 2012
Stewart's gritty story will appeal to readers interested in her ex-husbands and her own rags-to-riches tale, rife with...
Stewart reflects on her modeling and acting careers and her marriages to actor George Hamilton and rock star Rod Stewart.
Stewart (My Life with Farrah, 2009) grew up in Texas in the 1950s, the daughter of a single mother whose decades-long drug addiction eventually led to her death. Stewart's father left when she was only 1 year old, and she never heard from him again. Describing the effect of her father's absence, she writes, “[t]his has certainly been the pattern for most of life—looking for that 'powerful daddy' that would love me and make me feel safe yet choosing men who couldn't possibly fill those shoes.” Her beloved grandmother, whom she calls "Mama," was her primary caretaker. Following her high school graduation, Stewart got engaged to her first boyfriend, started working as a flight attendant, broke off her engagement, and was the victim of a home invasion and rape. Shortly thereafter, she moved to New York, where her "glamorous years" began. Her striking beauty garnered her immediate success as a model, as well as enormous male attention. The author devotes a good portion of the book to her paramours and her volatile marriages to Hamilton and Stewart, both of whom were already famous. She lists famous friends, such as Elton John, and her book contains photographs with her husbands and various celebrities. In addition to Rod Stewart's infidelity, she writes of raising her three children—a son with Hamilton and a boy and a girl with Stewart—mostly on her own and of her ongoing financial problems. She details her sons' battles with drugs and the terrible guilt she carries for her perceived failings as a parent. Her recollections are surprisingly detailed—a result, she explains, of the many journals she's kept throughout her life.
Stewart's gritty story will appeal to readers interested in her ex-husbands and her own rags-to-riches tale, rife with kiss-and-tell vignettes and the personal insights she's gleaned as an adult.Pub Date: Oct. 1, 2012
ISBN: 978-1-59315-707-4
Page Count: 288
Publisher: Vanguard/Perseus
Review Posted Online: Aug. 5, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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