Indelible characters, both good and evil, and a rescue storyline that refuses to dawdle.
In this second installment of a YA fantasy series, a boy’s friends rush to save him before a teen witch surrenders to dark magic.
Thirteen-year-old Sam Barconian, once a typical boy in Pilot Rock, Oregon, is battling evil witches in the Ninth Realm, Orkney. A descendant of both god Odin and he-witch Rubicus, Sam has the potential to become powerful but is still learning how to wield his magic. Unfortunately, he’s an ideal weapon for witch Catriona, who craves vengeance, having long ago witnessed Odin kill her father, Rubicus. She wants Sam on her side to kill Odin, which will likewise return Orkney to Earth, separated by the god for fear that magic would destroy the world. Meanwhile, Odin summons Sam’s Earth pals, Keely, Howie, and Leo, to Orkney. To see which path to take, Keely drinks from sage Mimir’s well, with an ensuing vision giving the trio ominous roles: she as The Seeker; Howie, Orkney’s Protector; and Leo, The Sacrifice. Keely further knows that Sam’s a captive of Catriona, who convinces him his friends’ futures are dire. Eventually succumbing to her persuasion, he becomes Kalifus, a servant of Catriona and her sister witches. At the same time, Keely searches for the Moon Pearl that reputedly can defeat the witches and pull Sam away from the darkness. The animated tale opens with action and ends in kind. Adams (The Egg Thief, 2016, etc.) is a master of exposition, never letting it slow the narrative by immersing it in rapid-fire dialogue: Keely learns of the pearl in a scene involving multiple characters—and squabbling from impetuous witch Mavery. Sam, whose discovery of his origin in The Red Sun (2015) was the series’ catalyst, is less of a protagonist this time, teetering between hero and villain, with his rescue driving the plot. But Keely handles the lead with panache, facing the same dilemmas as Sam, like struggling to understand her own magic (courtesy of Mimir’s drink). Leo’s inclusion adds suspense (will he be sacrificed?), while Howie serves as comic relief, asserting that Odin, in designating him Protector, was “just being optimistic about [his] prospects.” The Norse mythology–infused story also features a surprise appearance by a much more recognizable individual.
Indelible characters, both good and evil, and a rescue storyline that refuses to dawdle.Pub Date: Sept. 6, 2016
ISBN: 978-1-940716-84-8
Page Count: 384
Publisher: Spark Press
Review Posted Online: Sept. 16, 2016
Review Program: Kirkus Indie
A thrilling romance that could use more even pacing.
For the second time in her life, Leo must choose between her family and true love.
Nineteen-year-old Princess Leonie Kolburg’s royal family is bankrupt. In order to salvage the fortune they accrued before humans fled the frozen Earth 170 years ago, Leonie’s father is forcing her to participate in the Valg Season, an elaborate set of matchmaking events held to facilitate the marriages of rich and royal teens. Leo grudgingly joins in even though she has other ideas: She’s invented a water filtration system that, if patented, could provide a steady income—that is if Leo’s calculating Aunt Freja, the Captain of the ship hosting the festivities, stops blocking her at every turn. Just as Leo is about to give up hope, her long-lost love, Elliot, suddenly appears onboard three years after Leo’s family forced her to break off their engagement. Donne (Brightly Burning, 2018) returns to space, this time examining the fascinatingly twisted world of the rich and famous. Leo and her peers are nuanced, deeply felt, and diverse in terms of sexuality but not race, which may be a function of the realities of wealth and power. The plot is fast paced although somewhat uneven: Most of the action resolves in the last quarter of the book, which makes the resolutions to drawn-out conflicts feel rushed.
A thrilling romance that could use more even pacing. (Science fiction. 16-adult)Pub Date: Feb. 4, 2020
ISBN: 978-1-328-94894-6
Page Count: 400
Publisher: HMH Books
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Bulky, balky, talky.
In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.
But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.
Bulky, balky, talky.Pub Date: March 18, 2003
ISBN: 0-385-50420-9
Page Count: 400
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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