by Alaric Thain ‧ RELEASE DATE: Aug. 16, 2019
A thought-provoking but uneven tale with some intriguing ideas about the future.
A debut work of speculative metafiction offers a time traveler’s view of the rest of the 21st century.
This book, written by time-traveling history professor Alaric Thain, actually won’t be published until 2864, and is meant to give readers of that time period some insight on how people lived in the 21st century. Alaric himself was born at the end of the 21st century. Although the what and how of the major historical events of that century are well documented, the professor (who has a unique insight into the way people of that era thought and felt) endeavors to provide the why. Of course, for 21st-century readers, the what and the how are just as interesting. What, for example, were the long-term effects of the Trump administration? Did people ever figure out what to do about climate change? How did humans develop Artie, “the last great invention of humankind, for since then, all non-artistic inventions have been made by Artie hirself”? Alaric delivers information on people and events that have not yet happened, like the rise of Destiny Holt, one of the preeminent “heroes that come down to us from the 21st century.” Most importantly, Alaric reveals how the trends of history—even those apparent today—led inevitably to the future of tomorrow. The book exhibits more than a bit of self-awareness. (The foreword, written in 2864 by one Faustina Dax, assures readers that the volume is “a masterpiece.”) But for the most part, it is a work of analytical history—and a fairly dry one at that. Author Thain takes readers through a summary of human society up to the current moment before engaging most directly with some of the pressing social concerns of the present, like global warming, wealth inequality, populism, and technology. In speculating about how these issues play out over the coming decades, he deftly reinforces the idea of how seriously readers should take them in the present and delivers several captivating concepts. His future reveals his own political readings and preferences—Donald Trump’s successor is Kamala Harris and humans will get to enjoy a version of universal basic income. Essentially a futurist work wrapped in fictional trappings, the lengthy (over 400 pages), somewhat self-indulgent book never matches the level of fun that it initially seems to promise.
A thought-provoking but uneven tale with some intriguing ideas about the future.Pub Date: Aug. 16, 2019
ISBN: 978-1-73338-960-0
Page Count: 443
Publisher: Alaric Thain Publishing
Review Posted Online: Oct. 22, 2019
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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