ALARIC THAIN'S HISTORY OF THE 21ST CENTURY

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ALARIC THAIN'S HISTORY OF THE 21ST CENTURY

Name: ALARIC THAIN'S HISTORY OF THE 21ST CENTURY
Author: Alaric Thain
ISBN: 978-1-73338-960-0

by Alaric Thain ‧ RELEASE DATE: Aug. 16, 2019

A thought-provoking but uneven tale with some intriguing ideas about the future.

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A debut work of speculative metafiction offers a time traveler’s view of the rest of the 21st century.

This book, written by time-traveling history professor Alaric Thain, actually won’t be published until 2864, and is meant to give readers of that time period some insight on how people lived in the 21st century. Alaric himself was born at the end of the 21st century. Although the what and how of the major historical events of that century are well documented, the professor (who has a unique insight into the way people of that era thought and felt) endeavors to provide the why. Of course, for 21st-century readers, the what and the how are just as interesting. What, for example, were the long-term effects of the Trump administration? Did people ever figure out what to do about climate change? How did humans develop Artie, “the last great invention of humankind, for since then, all non-artistic inventions have been made by Artie hirself”? Alaric delivers information on people and events that have not yet happened, like the rise of Destiny Holt, one of the preeminent “heroes that come down to us from the 21st century.” Most importantly, Alaric reveals how the trends of history—even those apparent today—led inevitably to the future of tomorrow. The book exhibits more than a bit of self-awareness. (The foreword, written in 2864 by one Faustina Dax, assures readers that the volume is “a masterpiece.”) But for the most part, it is a work of analytical history—and a fairly dry one at that. Author Thain takes readers through a summary of human society up to the current moment before engaging most directly with some of the pressing social concerns of the present, like global warming, wealth inequality, populism, and technology. In speculating about how these issues play out over the coming decades, he deftly reinforces the idea of how seriously readers should take them in the present and delivers several captivating concepts. His future reveals his own political readings and preferences—Donald Trump’s successor is Kamala Harris and humans will get to enjoy a version of universal basic income. Essentially a futurist work wrapped in fictional trappings, the lengthy (over 400 pages), somewhat self-indulgent book never matches the level of fun that it initially seems to promise.

A thought-provoking but uneven tale with some intriguing ideas about the future.

Pub Date: Aug. 16, 2019

ISBN: 978-1-73338-960-0

Page Count: 443

Publisher: Alaric Thain Publishing

Review Posted Online: Oct. 22, 2019

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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THE GRAPES OF WRATH

by John Steinbeck ‧ RELEASE DATE: April 14, 1939

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This is the sort of book that stirs one so deeply that it is almost impossible to attempt to convey the impression it leaves. It is the story of today's Exodus, of America's great trek, as the hordes of dispossessed tenant farmers from the dust bowl turn their hopes to the promised land of California's fertile valleys. The story of one family, with the "hangers-on" that the great heart of extreme poverty sometimes collects, but in that story is symbolized the saga of a movement in which society is before the bar. What an indictment of a system — what an indictment of want and poverty in the land of plenty! There is flash after flash of unforgettable pictures, sharply etched with that restraint and power of pen that singles Steinbeck out from all his contemporaries. There is anger here, but it is a deep and disciplined passion, of a man who speaks out of the mind and heart of his knowledge of a people. One feels in reading that so they must think and feel and speak and live. It is an unresolved picture, a record of history still in the making. Not a book for casual reading. Not a book for unregenerate conservative. But a book for everyone whose social conscience is astir — or who is willing to face facts about a segment of American life which is and which must be recognized. Steinbeck is coming into his own. A new and full length novel from his pen is news. Publishers backing with advertising, promotion aids, posters, etc. Sure to be one of the big books of the Spring. First edition limited to half of advance as of March 1st. One half of dealer's orders to be filled with firsts.

Pub Date: April 14, 1939

ISBN: 0143039431

Page Count: 532

Publisher: Viking

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: April 1, 1939

Categories:

GENERAL FICTION

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PET SEMATARY

by Stephen King ‧ RELEASE DATE: Nov. 4, 1983

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This novel began as a reworking of W.W. Jacobs' horror classic "The Monkey's Paw"—a short story about the dreadful outcome when a father wishes for his dead son's resurrection. And King's 400-page version reads, in fact, like a monstrously padded short story, moving so slowly that every plot-turn becomes lumberingly predictable. Still, readers with a taste for the morbid and ghoulish will find unlimited dark, mortality-obsessed atmosphere here—as Dr. Louis Creed arrives in Maine with wife Rachel and their two little kids Ellie and Gage, moving into a semi-rural house not far from the "Pet Sematary": a spot in the woods where local kids have been burying their pets for decades. Louis, 35, finds a great new friend/father-figure in elderly neighbor Jud Crandall; he begins work as director of the local university health-services. But Louis is oppressed by thoughts of death—especially after a dying student whispers something about the pet cemetery, then reappears in a dream (but is it a dream) to lead Louis into those woods during the middle of the night. What is the secret of the Pet Sematary? Well, eventually old Jud gives Louis a lecture/tour of the Pet Sematary's "annex"—an old Micmac burying ground where pets have been buried. . .and then reappeared alive! So, when little Ellie's beloved cat Church is run over (while Ellie's visiting grandfolks), Louis and Jud bury it in the annex—resulting in a faintly nasty resurrection: Church reappears, now with a foul smell and a creepy demeanor. But: what would happen if a human corpse were buried there? That's the question when Louis' little son Gage is promptly killed in an accident. Will grieving father Louis dig up his son's body from the normal graveyard and replant it in the Pet Sematary? What about the stories of a previous similar attempt—when dead Timmy Baterman was "transformed into some sort of all-knowing daemon?" Will Gage return to the living—but as "a thing of evil?" He will indeed, spouting obscenities and committing murder. . .before Louis must eliminate this child-demon he has unleashed. Filled out with overdone family melodrama (the feud between Louis and his father-in-law) and repetitious inner monologues: a broody horror tale that's strong on dark, depressing chills, weak on suspense or surprise—and not likely to please the fans of King's zestier, livelier terror-thons.