The recent winner of Whitbread Novel Award for 1992, as well as the Guardian Fiction Prize: a witty sendup of the Victorian pantheon as Scottish novelist Gray (Sporting Leather, 1991, etc.) masterfully demolishes those scientific, cultural, and social shibboleths that so comforted our forebears. With invented blurbs and a tongue-in-cheek introduction, Gray immediately signals his intentions to tell a story, refuted later in an epilogue, that's so bizarre that its credibility will be automatically suspect—a story more concerned with highlighting the absurdities of the day than with any reality. Setting the tale in his native Glasgow, Gray purports to be publishing the memoirs of a Victorian doctor, Archibald McCandless, the illegitimate son of a wealthy farmer who was befriended by Godwin Baxter, the strange- looking son of an eminent surgeon. Baxter, he soon learns, having removed the brain from the fetus of a recently drowned woman and inserted it in her skull, has brought the young woman back to life. Bella—a prototype Victorian new woman and a female Frankenstein- -falls in love with McCandless, but elopes first with another. Her adventures abroad are suitably picaresque; but as Bella's brain catches up with her physical maturity, she becomes aware of suffering and injustice and decides to become a doctor back in Scotland. Unfortunately, though, she's been recognized as the long- missing and presumed drowned Victoria Blessington. Her wedding to the faithful McCandless is interrupted by the arrival of her mendacious father and sadistic husband, General Sir Aubrey de la Pole Blessington. All eventually ends well—but in the epilogue, seemingly turning the story on its head, the widowed Dr. Victoria McCandless describes the tale as mainly a work of fiction that ``stinks of Victorianism.'' Which is, of course, the whole point. Gray has not only pulled off a stylistic tour de force, but has slyly slipped in a stunning critique of the late-19th-century. A brilliant marriage of technique, intelligence, and art. And, as an extra bonus, lavish illustrations by the author himself.
Pub Date: March 1, 1993
ISBN: 0-15-173076-8
Page Count: 336
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1992
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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