What are young listeners to feel upon finishing this story? Unsatisfied—and maybe even insecure.
Goodnight Moon meets “The Three Bears” in this tale of a robber fox.
Sporting a blue turtleneck, this bushy-tailed thief approaches an elegant home with columns and a mansard roof (a Georgian town house, according to the illustrator’s dedication). The fox greets objects and creatures by name: “Hello, door. Hello, house. / Hello, mat. Hello, mouse.” Once inside, the intruder enjoys a snack, swings through the parlor on the chandelier, and leaves a trail of broken china and debris. What isn’t nailed down goes into an increasingly bulging satchel—porcelain, silver, jewelry, and paintings, cut from their frames. The palette is predominantly turquoise with burnt orange and red accents; the feel of the mischief is reminiscent of Warner Bros. cartoons. Just as the fox is about to make a getaway, the three bear homeowners return, and a confusing chase ensues, the characters appearing as orange silhouettes running through a cross-section of the house. Mother Bear finally tosses the culprit out the window. The fox lands, empty-handed but gleeful, eyeing an even more palatial setting replete with fountains and formal gardens. This plot and conclusion produce discomfort. In “The Three Bears,” while Goldilocks does enter a home not her own, she is more naughty child than thief. When found, she is frightened enough never to be seen repeating the offense.
What are young listeners to feel upon finishing this story? Unsatisfied—and maybe even insecure. (Picture book. 3-5)Pub Date: Jan. 2, 2018
ISBN: 978-1-4998-0536-9
Page Count: 32
Publisher: Little Bee Books
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Nov. 1, 2017
A powerful affirmation for all dads—the good, the flawed, and those doing the best they can.
Dedicating his latest to “caregivers who give what they never got,” Caldecott Honor winner Robinson explores complicated feelings around fatherhood.
From the outset, the book appears to be a standard-issue Father’s Day offering, pairing brief, loving sentiments with images of animals. But it soon becomes clear that Robinson has crafted something much more complex. A frog with tadpoles nestled atop his back (“Dad is here”) is followed by an illustration of an owl leaving the nest (“Dad had to go away”). More contrasts are presented: a seahorse keeping his offspring safe in his pouch (“Dad holds on tight”), two shark pups swimming away from their frenzied-looking patriarch (“Dad need lots of space”). “Dad lets you down and makes mistakes” (a porcupine accidentally jabs his little one), but “Dad picks you up and makes you feel safe” (a lion snuggles his cub). And the human fathers we meet next—diverse in skin tone and ability—are equally multifaceted. Robinson outdoes himself, his bold and richly textured paint and collage artwork popping against the background. His artwork is rife with subtleties for careful readers—for instance, the look of uncertainty in the eyes of the gorilla father described as “strong.” For all its simplicity, this colorful book is laden with meaning, depicting fathers as vulnerable, imperfect, gentle, and empathetic—in a word, deeply human.
A powerful affirmation for all dads—the good, the flawed, and those doing the best they can. (more information on the animals presented) (Picture book. 3-5)Pub Date: May 12, 2026
ISBN: 9781250397041
Page Count: 48
Publisher: Balzer + Bray
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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